Book Chapters

  • Pseudo Soundtracks

    2018

    In Live Cinema: Cultures, Economies, Aesthetics
    Edited by Sarah Atkinson & Helen W. Kennedy
    Published by Bloomsbury, London

    Excerpt
  • The Sound Of An Android's Soul

    Music, MIDI & Muzak in Time Of Eve

    2017

    In Palgrave Handbook of Sound Design & Music in Screen Media
    Edited by Liz Greene & Danijela Kulezic-Wilson
    Published by Palgrave/Macmillan, London

    2011

    Original excerpt
    Published in Cinefile Vol.7 No.1, Vancouver

    Excerpt
  • Sine Qua Son

    Considering the Sine Wave Tone in Electronic Art

    2015

    In Abstract Video Art
    Edited by Gabrielle Jennings
    Published by University of California Press, Los Angeles

    Excerpt
  • Parties In Your Head

    From the Acoustic to the Psycho-Acoustic

    2013

    In The Oxford Handbook of New Audiovisual Aesthetics
    Edited by John Richardson, Claudia Gorbman & Carol Vernalis
    Published by Oxford University Press, London

    Excerpt
  • Evaporated Music 1

    Ingrained Vocality, Re-Voicing & Gendered Vocalisation

    2013

    In Electrified Voices: Medial, Socio-Historical and Cultural Aspects of Voice Transfer
    Edited by Dimitri Zakharine
    Published by V & R University Press, Gottingen

    Notes
  • Auralis Sexualis

    How Cartoons Conduct Paraphilia

    2011

    In Funny Pictures: Animation and Comedy in Studio-Era Hollywood
    Edited by Daniel Goldmark
    Published by University of California Press, Berkeley

    Abstract
  • Tezuka's Gekiga

    Behind The Mask Of Manga

    2010

    In Manga - An Anthology Of Global & Cultural Perspectives
    Edited by Toni Johnson-Woods
    Published by Continuum, London

    2006

    Original version
    Published in Tezuka Osamu: The Marvel Of Manga, NGV Publications, Melbourne

    Chapter
  • Vocalising the Post-Human

    2010

    In Voice: Vocal Aesthetics in Digital Media and Media Art
    Edited by Norrie Neumark, Ross Gibson & Theo van Leeuwen
    Published by MIT Press, Massachusetts

    Excerpt
  • Where Sound Is

    Locating The Absent Aural in Film Theory

    2008

    In Sage Handbook of Film Studies
    Edited by James Donald & Michael Renov
    Published by Sage Publications, London

    Chapter
  • How Sound Floats On Land

    The Suppression & Release of Folk & Indigenous Musics in the Cinematic Terrain

    2007

    Excerpt reprinted in Beyond The Soundtrack: Representing Music In Cinema
    Edited by Daniel Goldmark, Lawrence Kramer & Richard Leppert
    Published by University of California Press, Berkeley

    2000

    Full version in Cinesonic: Cinema & the Sound of Music
    Edited by Philip Brophy
    Published by Australian Film & Television School Publishing, Sydney

    Chapter
  • Sonic - Atomic - Pneumonic

    Apocalyptic Echoes in Japanese Animation

    2007

    In Illusion of Life 2: Essays On Animation
    Edited by Allan Cholodenko
    Published by Power Publications, Sydney

    Chapter
  • Monster Island

    Godzilla & Japanese sci-fi/horror/fantasy

    2006

    Reprinted in Asian Cinemas
    Edited by Dimitris Eleftheriotis & Gary Needham
    Published by University of Hawaii Press, Honolulu

    1991

    Original version
    Published in Postcolonial Studies, Vol.3 No.1, London

    Chapter
  • Arashi ga oka

    The Sound of the World Turned Inside-Out

    2005

    In Japanese Horror Cinema
    Edited by Jay Prior
    Published by Edinburgh University Press, Edinburgh

    Chapter
  • The Animation of Sound

    2003

    Excerpt reprinted in Movie Music: The Film Reader
    Edited by Kay Dickinson
    Published by Routledge, New York

    1991

    Originally in Illusion of Life: Essays On Animation
    Edited by Allan Cholodenko
    Published by Power Publications, Sydney

    Chapter
  • I Scream In Silence

    Cinema, Sex & the Sound of Women Dying

    2002

    Excerpt version
    Reprinted in Senses Of Cinema, Issue 22, Melbourne

    1999

    Full version in Cinesonic: The World of Sound in Film
    Edited by Philip Brophy
    Published by Australian Film & Television School Publishing, Sydney

    Chapter
  • Horrality

    The Textuality of Contemporary Horror Films

    2000

    Reprinted in The Horror Reader
    Edited by Ken Gelder
    Published by Routledge, New York

    1986

    Reprint with preface
    Published in Screen UK, Vol.27 Nos.1/2, London

    1983

    Original version
    Published in Art & Text, No.3, Melbourne

    Chapter
  • Funny Accents

    The Sound of Racism

    2000

    In Cinesonic: Experiencing The Soundtrack
    Edited by Philip Brophy
    Published by Australian Film & Television School Publishing, Sydney

    Chapter
  • Being Blind

    A Polemical Manual for Using New Audiovisual Technologies

    1999

    In Iris special issue on the state of sound studies
    Edited by Rick Altman
    Published in Iris No.27, Paris

  • Ocular Excess

    A Semiotic Morphology of Cartoon Eyes

    1997

    Excerpt version in Art & Design Special Issue: Art & Animation
    Edited by Paul wells
    Reprinted in Art & Design No.53, London

    1994

    Full version in KABOOM! Explosive Animation from America & Japan
    Edited by Philip Brophy
    Published by Museum of Contemporary Art Publications, Sydney

    Chapter
  • Read My Lips

    Notes on Film Dialogue

    1992

    In Continuum - Matters Of Style
    Edited by Adrian Martin
    Published in Continuum Vol.3 No.3, Perth

    Chapter
  • The Architecsonic Object

    Stereo Sound, Cinema & Colors

    1990

    In Culture, Technology & Creativity In The Late 20th Century
    Edited by Philip Hayward
    Published by John Libbey Press, London

    Chapter
  • Avant-Garde Rock

    History In The Making?

    1987

    In Missing In Action - Australian Popular Music In Perspective
    Edited by Marcus Breen
    Published by Graphics Publications, Melbourne

    Chapter