Audio Vision

Column on audiovision in current media - Realtime, Sydney 2012 - 2017
  • Pop-Steak & Video-Sizzle

    Mark Ronson's Move To The Beat

    published in Real Time No.111, Sydney

    2012

  • Counter-Voicing Politics

    Barack Obama campaign support ads

    published in Real Time No.112, Sydney

    2012

  • Affected Music & Emotional Exhaustion

    Documentary of AKB48: Show Must Go On

    published in Real Time No.113, Sydney

    2013

  • Electric Italy & Black America

    Quentin Tarantino's Django Unchained

    published in Real Time No.114, Sydney

    2013

  • Picturing Musical Creativity & Emptying the Self

    Terre Thaemlitz’s Soulnessless

    published in Real Time No.115, Sydney

    2013

  • Non-Human Speech & Listening Cameras

    Vocal Folds (exhibition)

    published in Real Time No.116, Sydney

    2013

  • Accelerated Media & Aural Fatigue

    Death Race 3: Inferno

    published in Real Time No.117, Sydney

    2013

  • Loving The Image of Your Own Voice

    Japanese Digital Signage

    published in Real Time No.118, Sydney

    2013

  • Pseudo-Cinema & Deus Ex Musica

    Crescendo (exhibition)

    published in Real Time No.119, Sydney

    2014

  • Emotional Pornography & Social Silence

    Spike Jonze's Her

    published in Real Time No.120, Sydney

    2014

  • Mouthing Politics – Breathing Politics

    Sue Dodd's Significant Others

    published in Real Time No.121, Sydney

    2014

  • Illuminated Edifices & Audiovisual Effigies

    59 Productions’ Lighting The Sails

    published in Real Time No.122, Sydney

    2014

  • Hyperreal Sonics & Breathing Music

    Stephanie Spray & Pacho Velez’s Manakamana

    published in Real Time No.123, Sydney

    2014

  • Sacred Sites and Screenic Figurines

    Perfume at Love Japan Night, National Stadium Tokyo

    published in Real Time No.124, Sydney

    2014

  • Listening to Noise & Other Musical Messages

    Mark Foster's World War Z

    published in Real Time No.125, Sydney

    2015

  • Reading The Film Score

    PT Anderson's Inherent Vice

    published in Real Time No.126, Sydney

    2015

  • Talk About Being Fucked-Up

    Ryan Trecartin's Re’Search Wait’S

    published in Real Time No.127, Sydney

    2015

  • Deafness, Symbolism & Silence

    Miroslav Slaboshpitsky's The Tribe

    published in Real Time No.128, Sydney

    2015

  • Classical Gas & Retrograde Ejaculation

    2Cello's YouTube videos

    published in Real Time No.129, Sydney

    2015

  • Unsound Vision

    David Bowie Is (exhibition)

    published in Real Time No.130, Sydney

    2015

  • Panoptic Spreadsheets & Political Art

    Exit (exhibition)

    published in Real Time No.131, Sydney

    2016

  • David Dead & Sounding Real

    Lady Gaga's David Bowie Tribute - 58th Annual Grammys

    published in Real Time No.132, Sydney

    2016

  • Banging Boxes & Bashing Women

    Cassandra Tytler’s I’m Sorry

    published in Real Time No.133, Sydney

    2016

  • Voiced-over Pop & Hateful Audiovision

    Eurovision Semi-Finals 2016

    published in Real Time No.134, Sydney

    2016

  • Maximalised Sounding vs. Authored Synaesthesia

    Speak Percussion’s Fluorophone

    published in Real Time No.135, Sydney

    2016

  • Extreme Quiet & Acoustic Theatre

    Cheltfisch’s Time’s Journey Through A Room

    published in Real Time online June 2017, Sydney

    2017

  • Post-human Synchronization

    Meshuggah live

    published in Real Time online August 2017, Sydney

    2017

  • Post-Politics & Totalitarian Tonality

    Ugis Olte & Morten Traavik’s Liberation Day

    published in Real Time online November 2017, Sydney

    2017