2-screen Dolby Digital 5.1 animation – 2007
 
        
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Vox is a 2-screen synchronized DVD with Dolby 5.1 surround sound, commissioned by Gertrude Conemporary Art Spaces, Melbourne and the Institute of Art, Brisbane as a joint project in 2007. Deliberately employing a flat/graphic style of animation, two heads - one male, the other female - face each other. Each takes turn to sexually intimidate the other through a series of contorting biomorphic growths sprouting from his/her head. The active agent in this sexual change is entirely transformed while the

Devised by Philip Brophy, this 2-screen work characterises his general approach to gender propositions. On the one hand, clear binaries are set up between 'male' and 'female'; on the other hand, these binaries are blended, fused, morphed and ultimately dissolved. The male head grows a series of penile extensions which eventually abstract into something entirely 'post-phallic', after which the female head grows a series of vaginal extensions which eventually abstract into something entirely 'post-uterine'. That 'post' realm is the universe of the body. Humans - symbolised by the male and female heads in this animation - are mere pollops.

This idea is in keeping with Brophy's ongoing 'body' explorations (as in his ongoing project The Body Horrible instigated in 1988, and directly referenced in Vinyl Fantasy, 2002). In Brophy ’s world, "the body is a blob and gender is but a glob within it". Vox phantasmagorically

Concept & direction - Philip Brophy
Design & key animation - Philip Brophy
Sound design - Philip Brophy
Inbetweening - Steven Whatmough, Idora Alhabashi, Dom Evans, Teishan Ahearne
Flash scripting - Steven Whatmough
Technical advice - Phip Murray, Martine Corompt, Dominic Redfern
Production assistance - Chris MacKellar
Digital print advice - John Bilan
Thanks - Alexie Glass, Emily Cormack, Robert Leonard, RMIT Media Arts

2007
Gertrude Contemporary Art Spaces, Melbourne
Institute of Modern Art, Brisbane
2009
ILLUME - Campbelltown Arts Centre, Sydney (outdoor silent dual-projection)
ULTRA SKIN, Coreana Museum of Art, Seoul


Complete contents of this page © Philip Brophy