I
Am Piano is a live music performance centred around performed
reconstructions of piano samples taken from classic modern jazz recordings.
Devised by Philip Brophy, this suite of pieces conceptually and performatively
extends ideas on the piano and sampling covered in his articles Sonic
Occupancy (published in Ojeblikket Vol.10, No.3,
Copenhagen, 2000) and Sounding
& Sampling (published in New Music Articles
No.6, Melbourne, 1988). Performed live and un-sequenced on a midi-keyboard,
the pieces explore ways in which fragments of piano recordings/performances
can be reinterpreted as raw material for a concert-style performance
via a keyboard instrument.
Far from celebrating the humanist figure of jazz piano improvization
- let alone the heroic cliche of the Romantic concert maestro - I
Am Piano thrusts an ironic barb into the piano's mythological
status and aims to perceive it purely as a sound machine whose melodiousness
is but a mirage of musical
language.
(Two pieces of the suite have been presented in stereo at ARTICULATING
SPACE Concert 3, Ignifuge, Melbourne, August 2005. A third piece was
performed in quadraphonic sound for LIQUID ARCHITECTURE
7, North Melbourne Town Hall, Melbourne,
July 2006 and at the Wine Bar, Auckland, August 17th. The rest of the
works are currently in development, with a CD and DVD-R forthcoming on Sound
Punch Records.)