Record
Production & Phonology
1. Record Production 1 - Processess & Considerations
2. Record Production 2 - Production Technique in Muzak
3. Record Production 3 - The Digital Domain
4. Record Production 4 - Recording the Rock Band
5. Record Production 5 - Deconstructing the Rock Band
Collapsing
Rock, Pop and Noise
1. Sound & Noise 1 - The 'Other' of Sound
2.
Sound & Noise 2 - The inversion of Sound
3. Musique Concrete 1 - Generating
Noise
4.
Musique Concrete 2 - Landscaping Sonority
5. Electronic Music 1 - Introducing Electricity to Music
6.
Electronic Music 2 - Introducing Computers to Sound
7. Synthesizers 1 - The Artificial Keyboard
8.
Synthesizers 2 - The Virtual Instrument
9. Minimalism 1 - Initial Explorations
10.
Minimalism 2 - Further Applications
11. Text & Voice 1 - The Sound of Speech
12.
Text & Voice 2 - The Role of Words
Folk,
Rock & Pop within the Cinema
1.
DAYS OF WINE & ROSES 1967 – Blake Edwards (USA)
Composer Henry Mancini
2. DO THE RIGHT THING 1987 –
Spike Lee (USA) Composer Bill Lee
3. O BROTHER WHERE ARE THOU? 2000 – Joel & Ethan
Coen (USA) - Various traditonal songs & recordings
4. THE PAWNBROKER 1965 – Sidney Lumet (USA) Composer
Quincy Jones
5. SHAFT 1971 – Gordon Parks Jr (USA) - Composer Issac
Hayes
6 . WILD ANGELS 1966 – Roger Corman (USA) Composer
Mike Curb / Davie Allen & the Arrows
7. DEAD MAN 1995 – Jim Jarmusch (USA) - Composer Neil
Young
8. RUMBLE FISH 1982 – Francis Ford Copolla (USA) Composer
Stewart Copeland
9. RESIDENT EVIL 2002 – Paul Anderson (Germany) Composer
Marco Baltrami
10. PATLABOR 3 2002 - Fumihiko Takayama (Japan) Composer
Kenji Kawai
20th
Century Music within the Cinema
1. FORBIDDEN PLANET 1954 – Fred Macleod Wilcox (USA)
Score by Louis & Bebbe Barron
2. THE SHINING 1980 – Stanley Kubrick (UK) Source
score by Bela Bartok / Kryzysztof Penderecki / Gyorgy Ligeti
3. MOSES & ARON 1976 – Jean-Marie Straub &
Danielle Huillet (Germany) Opera by Arnold Schoenberg
4. THE CONVENT 1998 – Manoel De Oliveira (Portugal)
Source score by Igor Stravinsky / Sofia Gubajdulina / Toshir
Mayazumi
5. ARASHI GA OKA 1985 – Yoshihige Yoshida (Japan)
Composer Toru Takemitsu
6. LIFE ON A STRING 1991 – Kaige Chen (China) Composer
Ziao-Song Qu
7. A CLOCKWORK ORANGE 1971 – Stanley Kubrick (UK)
Composer Walter Carlos; source score by Ludwig Beethoven
/ Gioacchino Rossini / Edward Elgar
8. TRON 1982 – Steve Lisberger (USA) Composer Wendy
Carlos
9. KOYANISQAATSI 1983 – Godfrey Reggio (USA) Composer
Philip Glass
10. VAGABONDE 1985 - Agnes Varda (France) Composer Joanna
Bruzdowicz
Contemporary
Traces of the Modern Soundtrack
1. TALK RADIO - Voice & ether
2. GOOD FELLAS - Dialogue & editing
3. BEYOND THE VALLEY OF THE DOLLS - Sound effects &
editing
4. HAIL MARY - Symbolism & collage
5. COLORS - Spatiality & frequency
6. CONTACT - Transcendence & diffusion
7. THE STRAIGHT STORY - Aging & psychoacoustics
8. TAXI DRIVER - Interiority & psychosis
9. STAND BY ME - Voice & memory
10. SOME KIND OF WONDERFUL - Teen energy & rhythmic
propulsion
11. OEDIPUS REX - Myth & realism
12. BLACK RIVER - Landscape & contemporary opera
13. ONE FROM THE HEART - Artificialism & modern opera
14. HEAT - Ambience & musical vaporization
15. MAGNOLIA - Song form & vocal multiplicity
Historical
Markers of the Modern Soundtrack
1. CITIZEN KANE - Layers, levels & mixing
2. THE BIRDS - Volume, perspective & density
3. PLAYTIME - Architecture & sonic space
4. THE INNOCENTS - Silence & breath
5. WAY OF THE DRAGON - Post-dubbing & the body
6. CALIFORNIA SPLIT - Voice, performance & live space
7. LAST YEAR IN MARIENBAD - Textuality & vocal narration
8. THE CONVERSATION - Distortion & misperception
9. PSYCHO - Psychological states & atonality
10. ONCE UPON A TIME IN THE WEST - Opera, genre & theatre
11. WEST SIDE STORY - Opera & lyric drama
12. UMBRELLAS OF CHERBOURG - Operetta & sung narrative
13. SUSPIRIA - Rock & synthesizer scores
14. METROPOLIS - Silent cinema & sound/image relations
15. KWAIDAN - Synchronism & mysticism
