Orson Welles’ radiophonic legacy
distinctions & processes
radio as text
the gendered voice
Hitchcock’s cinematic perversion
perception & comprehension
silence
physics, acoustics & grammar
rhythm
post-war Europe and building new cities
design form & purpose
aural/urban design
muzak
ghostly acoustics
dimensional suggestion
altered mix states
possessed voices
English language productions
foreign films
active dubbing
Hong Kong Kung-Fu movies
Robert Altman's sound-image fusion
noise & silence
vocal performance
The New Novel
monologues & dialogues
off-screen placement
spatial location
zones of audibility
private & public space
sonic stability
psycho-acoustics
Profile - Bernard Herrmann
repetition & thematic structure
musical motifs
Ennio Morrricone’s arrangements & recording
thematic song scoring
audio cues
self-reflexivity
plasticity
mise-en-scene
transposition of stage musical
harmonic territorialization
Jacques Demy & Michel Legrand collaborations
musical narration
absence of dialogue
pictorial synthesthesia
historical streams & distinctions
modern & contemporary developments
time lines
time frame of ‘silent’ cinema
sound & music in the silents
how sound film language develops
Toru Takemitsu’s decompostions
collapsed music
Eastern sensibilities
conscious theatrics
sono-musical gesture