catalogue essay for the LP re-release of the first 3 solo records by Paul Schütze
Kontakt Audio, Vienna, 2025
record review
The Wire No.486, London
artwork review
Memo, March, Melbourne
concert review
The Wire No.477, London
screening review
for The Wire, London, but unpublished
exhibition review
Memo, October, Melbourne
concert review
The Wire No.463, London
record review
The Wire No.458, London
essay
included in Reversing into The Future: New Wave Graphics 1977 - 1990, Rizzoli, New York
profile
Disclaimer, October, Melbourne
record review
The Wire No.452, London
record review
The Wire No.452, London
record review
The Wire No.452, London
exhibition review
reprinted in Memo Review 03, Perimeter Books, Melbourne
original review
Memo, October, Melbourne
book review
The Wire No.440, London
essay for special issue on Tangerine Dream
The Wire No.437, London
live review
The Wire No.434, London
record review
The Wire No.434, London
CD booklet essay
Surplus 29, Melbourne
record review
The Wire No.419, London
exhibition review
The Wire No.419, London
soundtrack review
The Wire No.418, London
soundtrack review
The Wire No.415, London
catalogue essay
Tarrawarra Museum of Art, Tarrawarra
essay
reprinted in Australian Film Theory and Criticism - Volume 3: Documents, Intellect, London
film review
The Wire No.405, London
concert review
The Wire, No.397, London
unpublished slide presentation
in conjunction with the film series Lost New York
Art Gallery of New South Wales, Sydney
exhibition review
The Wire No.403, London
capsule comment
for special on The Ramones influence on Australia
I Like Your Old Stuff blog, July 2017, Warner Music UK
concert review
RealTime No.134, Sydney
exhibition review
The Wire No.372, London
concert review
The Wire No.372, London
essay from 2005
reprinted in Epiphanies: Life-Changing Encounters With Music, Strange Attractor Press, London
film review
The Wire, London, 2014
essay
for the special section Freedom Principles
The Wire No.370, London
film review
Realtime No.113, Sydney
essay
The Wire No.363, London
record review
The Wire No.369, London
catalogue essay
for Slave Pianos' The Lepidopters
Arts House, Melbourne
panel participant
for the Melbourne Conversations series
Deakin Edge, Melbourne
concert review
The Wire No.349, London
concert review
Realtime No.105, Sydney
essay
for Guilty Pleasures
Circadian Songs, Singapore
essay
Real Time No.98/99, Sydney
artist talk
for the exhibition Trace Elements
Performance Space, Sydney
critical response
2008 Biennale of Sydney
Column No.2, Artspace, Sydney
unpublished talk for painful 'hip art' panel forum
Play It Loud Artists' Week - it could only be Adelaide
'artist statement'
for the exhibition 21:100:100
Gertrude Contemporary Art Spaces, Melbourne
catalogue essay
for the solo exhibition Fluorescent + Vox
Institute of Modern Art, Brisbane
reprinted catalogue essay
200 Gertrude St., Melbourne
original catalogue essay
Artspace, Sydney
liner notes
for Morpho's Morpho
Doctor Jim Records, Melbourne
essay
The Wire No.273, London
reprinted essay from 1980
as gallery hand-out for the exhibition Do You Think I'm Disco
Longwood Art Gallery, Bronx New York
unpublished artist's talk
the Video Hits exhibition
Queensland Art Gallery, Brisbane
unpublished email response
to the curators' research for Video Hits exhibition
Queensland Art Gallery, Brisbane
essay
Like No.15, Sound Art special issue, Melbourne
liner notes
for The Outer Void Intrepid Sailor by Gus & Lachlan Franklin
Poptastic Records, Melbourne
unpublished floor talk
Museum of Contemporary Art, Sydney
liner notes
Lazy's Microsonics CD, Doctor Jim Records, Melbourne
essay
Photofile No.66, Sydney
catalogue essay
for the exhibition None More Blacker
200 Gertrude St., Melbourne
liner notes
for the Underground Lovers' Mallboy soundtrack
Silvertone Records, Melbourne
obituary
Senses of Cinema No.9, Melbourne
reprinted essay
Ojeblikket, Copenhagen
original catalogue essay
for the exhibition Rent
Overgaden, Copenhagen
liner notes
Flick Bubble Smelly Records
unpublished talk
John Manogios Lecture Series, Kaleide Cinema, Melbourne
essay
Like No. 5, Melbourne
panel particpant
for the exhibition Punkulture
Performing Arts Museum, Melbourne
liner notes
Honeysmack Live Smelly Records
essay & overview
Stuffing No.3, Melbourne
essay
Cinema Papers No.71, Melbourne
essay
Stuffing No.2, Melbourne
liner notes
for the AuGoGo Records re-release of Iggy & The Stooges' Raw Power LP
essay
New Music Articles No.6, Melbourne
essay
Third Degree No.4, Sydney
published talk
in Streetwise Flash Art: Is There A Future For Cultural Studies
Power Institute publications, Sydney
essay
Tension No.8, Melbourne
essay
Stuff No.6, Melbourne
essay
Stuff No.4, Melbourne
essay
Virgin Press No.21, Melbourne
essay
Virgin Press No.20, Melbourne
reprinted essay
Art & Text No.3, Melbourne
original essay
for the → ↑ → exhibition Asphixiation
George Paton Gallery, Melbourne
essay
New Music 1978-1979, Melbourne