|
2008 Director,
co-producer, writer & composer
GREY
METAL (feature) - in pre-production
THE
SOUND OF MILK (feature) - in development
Concept,
composer & sound designer
EVAPORATED
MUSIC 1 (a-f) (Dolby
Digital 5.1 DVD short) - exhibited
in POP SHOP, MU Gallery, Eindhoven
EVAPORATED
MUSIC 1 (a-f) (Dolby
Digital 5.1 DVD short) - exhibited
in TRACE ELEMENTS, Tokyo Opera City Art Gallery, Tokyo
EVAPORATED
MUSIC 1 (a-f) (Dolby
Digital 5.1 DVD short) - exhibited
in VIDEO LOGIC, Museum of Contemporary Art, Sydney
EVAPORATED
MUSIC 2 (a+b) (Dolby
Digital 5.1 DVD short) - exhibited
in ONE OF US CANNOT BE WRONG, Centre for Contemporary Photography, Melbourne (forthcoming)
Live
performer
KISSED (live
quadraphonic surround score to Andy Warhol's KISS)
- Gallery of Modern Art, Brisbane (part of the ANDY WARHOL UP LATE concert series curated by Paul Curtis)
STADIUM (live drum and sampler
performance - excerpt) - Palais Theatre, Melbourne (for the event
UNITED ARTISTS)
Live
performance with David Brown -
part of the YOU DON'T HAVE TO CALL IT MUSIC series, Toff, Melbourne
Writer
THE
ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT -
book on the film, commissioned for the AUSTRALIAN
SCREEN CLASSICS series, Currency Press, Sydney
& the National Film & Sound Archive
"Sound :
No Country For Old Men" -
Film Comment Vol.44 No.2, March-April, New
York
"CITIZEN KANE: The sound of the look of a 'visual masterpiece'" -
Music & The Moving Image, Vol.1 No.3, University of Illinois Press, Champaign
"Where
Sound Is: The Absent Aural in Film Theory" -
SAGE HANDBOOK OF FILM STUDIES, Sage Press, London
"The Unradicality of Art: Self-centring Artists, Mediarised Crackpots & Alchemical Conductors" - Biennale Critical Reader, Artspace, Sydney
Lecturer
CONTEMPORARY TRACES OF THE MODERN SOUNDTRACK -
11 part lecture series, presented as guest lecturer at RMIT
School of Art, Melbourne
Speaker
"The Visual Arts & Pop Music: Lke A Cat Fucking A Dog" -
contribution to the PLAY IT LOUD panel discussion for Artists' Week, Adelaide
Introduction to screening of EL TOPO, IMA event @ Dendy
Cinema, Brisbane
"EVAPORATED
MUSIC, Revoicing & Gendered Vocalization" - Museum of Contemporary Art, Sydney
Also
* Monthly
column on anime, Empire Magazine, Sydney
2007 Director,
animator & sound
designer
VOX (2-screen Dolby Digital 5.1 animation)
- Gertrude Contemporary Art Spaces, Melbourne; Institute of Modern Art, Brisbane
Director,
producer, editor, composer & performer
FLUORESCENT (3-screen
Dolby Digital 5.1 DVD installation) - Institute of Modern
Art, Brisbane
Director,
editor, animator, composer & performer
NORTHERN
VOID (Dolby
Digital 5.1 DVD live
surround-sound score by Ph2)
- Australian Centre for the Moving Image, Melbourne
Director,
producer, sound-designer & designer
THE
BODY MALLEABLE (interactive animation
with 4-channel surround sound) - inaugral invitation
work exhibited in conjunction with the EROTIC ART PRIZE,
Artrage Bakery, Perth; exhibited
in SKIN,
National Museum of Art, Osaka
Live
performer
AUREVELATEUR (live
quadraphonic surround score to Philippe Garrel's LE REVELATEUR)
- Perth (part of the
TOTALLY HUGE NEW MUSIC FESTIVAL)
BEAUTIFUL
CYBORG 2 (live quadraphonic surround score
to edited compilation of anime) - Perth (part of the
TOTALLY HUGE NEW MUSIC FESTIVAL)
Curator
TEZUKA
- The Marvel of Manga - curated exhibition
at Art Gallery of New South Wales, Sydney, & the Asian
Art Museum of San Francisco
Focus
on TEZUKA - curated film programme
at the Chauvel Cinema, Sydney; Australian Cinematheque,
Brisbane; Mercury Cinema, Adelaide; Revelation - Perth International Film Festival,
Perth
Writer
"Die, Warhol, Die" - catalogue essay for the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Sound : Seven Easy Pieces" - Film Comment Vol.43 No.6, November-December, New York
"Corrupted By Depth" - catalogue essay to Gary Carsley's SCENIC ROOT, Contemporary Art Projects Space, Art
Gallery of New South Wales, Sydney
"Sound : Linda Linda Linda" - Film Comment Vol.43 No.4, July-August, New York
"How
Sound Floats On Land (excerpt)" -
BEYOND THE SOUNDTRACK: Representing Music in Cinema, University of California
Press
"Sonic
- Atomic - Neumonic: Apocalyptic Echoes in Japanese
Animation" - ILLUSION OF LIFE 2 - ESSAYS ON ANIMATION, Power Publications, Sydney (from original
presentation at the Illusion of Life conference,
Sydney 1995)
"PUNCH-DRUNK
LOVE - From Muzak to Prozac & Beyond" - (extended
from entry in 100
MODERN SOUNDTRACKS) FFWD
Magazine No.4, January, Rome
"2006
Critics' Top Ten" - Film Comment Vol.43 No.1,
January-February, New York
"'n_scape' & 'Becoming'
as Acts of Japanese Art" -
Bijutsu Techo Vol.59, No.890, January 2007,
Tokyo
"The 50 Best Things About Anime" -
Empire (Australian edition), January 2007, Sydney
"The
RAPT! symposium: a wandering wrap-up of ideas surfaced" -
catalogue essay for RAPT! 20 CONTEMPORARY ARTISTS FROM
JAPAN Volume 2, Tokyo/Melbourne
Lecturer
HISTORICAL
MARKERS OF THE MODERN SOUNDTRACK -
11 part lecture series, presented as guest lecturer at RMIT School
of Art, Melbourne
TRACES
OF SOUNDTRACKS -
4 part radio series on 20th Century film
composers, reconfigured for audiovisual presentation, AFTRS
Melbourne & Sydney
"Sexual
Robots and Plastic Humans in Anime" - (extended
lecture from 100
ANIME) - special lecture tour commissioned by the Consul of Japan & the Japanese Embassy, New Zealand & the Japan Foundation: University of Canterbury, Christchurch; Victoria UNiversity, Wellington; the Japan Information & Culture Centre, Wellington; Auckland Museum, Auckland
Speaker
"Andy Warhol - Symposium" -
in conjunction with the opening of the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Australian Art after Andy Warhol" -
panel discussion in conjunction with the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Writer's Talk" -
floor talk on select Warhol works in the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"From Boring Video Art to Pseudo Cinema" -
talk in conjunction with the exhibition CENTRE POMPIDOU VIDEO
ART 1965-2005, Australian Centre for the Moving Image, Melbourne
"Pseudo Soundtracks: The Myth of Inventive
Audio-Vision in Experimental Cinema" - keynote talk
for the Totally Huge New Music Conference, Perth
"TEZUKA: From manga to anime" -
Chauvel Cinema, Sydney; Australian Cinematheque, Brisbane;
Revelation - Perth International Film Festival, Perth
"TEZUKA: Introduction to manga" -
Art Gallery of New South Wales, Sydney; National Gallery of
Victoria, Melbourne; Asian Art Museum of San Francisco; Brisbane
Writers Festival, Brisbane
"De-sign: Designing
Music For Film" - AV Presentation: VCA Film & TV School,
Melbourne; Western Australian Academy of Performing Arts,
Perth
Interviewed
The Daily Telegraph, The
Sydney Morning Herald, J-Style, ABC Asia Pacific (all Sydney): TEZUKA:
Marvel of Manga
San Francisco Chronicle, Wire.com, Berkeley Radio, Kron 4 TV, Nichi Bei Times (all San Francisco): TEZUKA:
Marvel of Manga
The Age, Preston Leader, Radio National, 3RRR (all Melbourne): NORTHERN VOID
Drum Media, RTR-FM (Perth): AUREVELATEUR
Broadsheet Vol.36 No.1, Adelaide: profile
Also
* EVAPORATED
MUSIC 1 (a,c,f,g) & 2
(a) -
Talk & screening at Footscray AudioVisual Social Club, Footscray
Community Arts Centre, Melbourne
* EVAPORATED
MUSIC 1 (c+d) -
Scanners International Video Festival,
Lincoln Film Centre, New York
* EVAPORATED
MUSIC 1 (a-f) -
Revelation - Perth International Film Festival, Perth
* BODY
MELT -
Revelation - Perth International Film Festival, Perth
* Various artist talks: Monash University, Victorian College of the Arts, RMIT University, Swinburne Institute of Technology (all Melbourne); Institute of Modern Art, Brisbane
* Monthly column on anime, Empire Magazine, Sydney
2006
Director,
producer, editor, composer & performer
FLUORESCENT (3-screen
Dolby Digital 5.1 DVD installation) - exhibited in SINGAPORE BIENNALE 2006, Singapore
Director,
producer, sound-designer & designer
THE
BODY MALLEABLE (interactive animation with
4-channel surround sound) - exhibited in the ANNE LANDA AWARD FOR MEDIA ART, Art Gallery of New South Wales, Sydney
Concept,
composer & sound designer
EVAPORATED
MUSIC 2 (a) (Dolby
Digital 5.1 DVD short) exhibited
at Artspace, Sydney
EVAPORATED
MUSIC I (a-f) (Dolby
Digital 5.1 DVD short) exhibited
as part of INTERFACE, Vasserspaicher, Berlin
Live performer
AUREVELATEUR (live
quadraphonic surround score to Philippe Garrel's LE REVELATEUR)
- Powerhouse, Brisbane & Deckchair Cinema, Darwin
(part of SOUNDS UNUSUAL Festival of New Music)
BEAUTIFUL
CYBORG 2 (live quadraphonic surround score
to edited compilation of anime) - Powerhouse, Brisbane
I
AM PIANO (live suite for piano samples) -
LIQUID ARCHITECTURE 7, Arts House, Melbourne (quadraphonic
version); Wine Bar, Auckland (stereo version)
HEAT -
live surround-sound score by Ph2 to
video by Dominic Redfern - INTERFACE,
Vasserspaicher, Berlin
UNTITLED -
live surround-sound score with Marc Behrens to video by Springer/Parker
- INTERFACE, Vasserspaicher, Berlin
Score
composer
LOVESTRUCK (DV
featurette) - directed by Megan Spencer & produced by Rosemary
Blythe; premiered at 55th Melbourne International Film Festival
Sound
Designer
NO
ANSWER -
6-channel surround sound to sculptural installation by Martine
Corompt - commissioned for the Laneway Commissions 2006,
City of Melbourne
Curator
TEZUKA
- The Marvel of Manga - curated exhibition
for the National Gallery of Victoria International, Melbourne
Focus
on TEZUKA - curated film programme for
the Australian Centre for the Moving Image, Melbourne
Editor
TEZUKA
- The Marvel of Manga - National Gallery
of Victoria International, Melbourne
Writer
"Sound:
Katsuhito Ishii's 'Funky Forest'" - Film Comment Vol.42
No.6, November-December, New York
"Epiphanies:
John Cage (not)" - The Wire, No. 273, November,
London
"Misreading
Manga" - TEZUKA - The Marvel of Manga, National
Gallery of Victoria, Melbourne
"Tezuka's
Gekiga: Behind The Mask" - TEZUKA - The Marvel of
Manga, National Gallery of Victoria, Melbourne
"Singapore
Biennale 2006 " - Flash, October, Melbourne
"Sound:
Michael Haneke's '71 Fragments'" - Film Comment Vol.42
No.5, September-October, New York
"Sound:
Sayajit Ray's 'The Chess Players'" - Film Comment Vol.42
No.4, July-August, New York
"Sound:
Alexander Sukurov's 'The Sun'" - Film Comment Vol.42 No.3,
May-June, New York
"L'Amour
Japan: Recent Frissons in Japanese Cinema" - Metro Magazine,
No. 149, Melbourne
"Favourite
Things: Edouard Detaille's Vive l'empereur (1891)" -
Commissioned by The Good Weekend - unpublished due to use of
the word "precum", Melbourne
"Dragging
Wild Angels, Fat Hogs & Cycle Sluts Down To Hell" -
Catalogue essay for the King Pins' RHAPSODY HAPPPENS - reprinted
for the Gertrude Contemporary Art Space exhibition, Melbourne
"Anime & Manga" -
Tokyo Lonely Planet Guide, Melbourne
"Manga & Anime
in Australia" - Wochi Kochi No.13, Tokyo
"Prismatic
Japan: Angles on Contemporary Art from Japan" - catalogue
essay for RAPT! 20 CONTEMPORARY ARTISTS FROM JAPAN, Tokyo/Melbourne
Lecturer
HISTORICAL
MARKERS OF THE MODERN SOUNDTRACK -
11 part lecture series, presented as guest lecturer at RMIT
School of Art, Melbourne
TRACES
OF SOUNDTRACKS -
4 part radio series on 20th Century film
composers, reconfigured for audiovisual presentation, AFTRS
Melbourne & Sydney
Speaker
"TEZUKA: From manga to anime" -
Australian Centre for the Moving Image, Melbourne
"Drag
Mash" - Panel Participant, Gertrude Contemporary Art
Space, Melbourne
"TEZUKA: Introduction to manga" -
National Gallery of Victoria, Melbourne
"n-scape
Japan: Traversing Contemporary Japanese Art" -
panel contribution for the RAPT! 20 CONTEMPORARY ARTISTS FROM
JAPAN symposium, Asialink, Melbourne
"FLUORESCENT & other fucked-up
things" - Singapore Biennale 2006, Singapore
"GANTZ:
Evacuating the Self" - (extended lecture from 100
ANIME) presented as a Popcorn Taxi
event for the Melbourne launch of the book, Australian Centre
for the Moving Image, Melbourne; presented as a Dendy Cinemas
Special Event, Dendy Opera Quays, Sydney; presented by FullScreen,
Australian National Gallery, Canberra
"Sexual Robots and Plastic Humans in Anime" - (extended lecture from 100
ANIME) - Australian Film TV &, Radio School, Sydney
"METROPOLIS:
Imagined Cities, Suppressed Architecture, Remembered Spirits" - (extended
lecture from 100
ANIME) - University of Queensland,
Brisbane
"De-sign: Designing
Music For Film" - AV Presentation: University of Edinburgh,
UK; AFTRS, Sydney; VCA Film & TV School, Melbourne; Tokyo National
University of Fine Arts, Japan
"AKIRA:
Post-atomic landscapes & post-sonic mindscapes" - (extended
lecture from 100
MODERN SOUNDTRACKS) University of
Liverpool, UK; Queensland Art Gallery, Brisbane
"MAGNOLIA
- Vocal Noise, Multiplied Music and Song-As-Narrative" - (extended
lecture from 100
MODERN SOUNDTRACKS) Royal Holloway
University of London, UK
Also
* EVAPORATED
(f) (Dolby
* Cultural consultant for Australian exhibition
* Recipient of a New Media
Arts Fellowship from the Australia Council (year 2 of 2)
* Recipient of an AFC
Travel Grant for International Market attendance
Interviewed
Fridae-com, Singapore: FLUORESCENT
MX, Anime Snack Time (Madman podcast), Nichigo Press, Beat, N-Press, Radio
National (all Melbourne), The South China Morning Post, Hong Kong & The Daily
Telegraph & The Australian (both Sydney): TEZUKA:
Marvel of Manga
Financial Review, Sydney & The Australian, Sydney: on RAPT! and contemporary
Japanese art
Scene, Rave & Time-Off, Brisbane: AUREVELATEUR and BEAUTIFUL
CYBORG 2
Australian, Drum Media & Radio National Movie Time, Sydney: 100
ANIME
Photofile No. 77, Sydney: profile
2005 Director,
writer & editor
THE SOUND
OF MILK Prologue (silent
trailer version of DVD short) - funded by Strand X of the Australian Film Commission - screened as part of BOX2, Federation Square
Public Screen, Melbourne
Music
releases
AUREVELATEUR (writer,
performer, mix & production) - CD released on Sound Punch
Live
performer
I
AM PIANO (live suite for piano samples) - Articulating
Space Concert 3, Ignifuge, Melbourne
JANET
LEIGH (DEAD) by Ph2 -
8-channel version, Experimedia, State Library of Victoria, Melbourne
Score
composer
THE
PINING TREE -
stereo score to digital animation by Rosemary Dean
Radio
writer & presenter
TRACES
OF SOUNDTRACKS -
4 part radio series on 20th Century film
composers, commissioned by ABC Radio and broadcast nationally
on ABC Classic FM
Curator
AURAL
GAZING - Japanese Audiovision - commissioned for the
Experimenta VANISHING POINT programme, Australian Centre for
the Moving Image, Melbourne
Writer
100
ANIME -
book on Japanese animation, commissioned by the British Film
Institute, London
100
MODERN SOUNDTRACKS -
book on film scores & sound design, translated into Japanese,
published by Film Art, Tokyo
100
MODERN SOUNDTRACKS -
book on film scores & sound design, released in the US through
University of Caliifornia Press
"Mayhem, Magic & Maelstroms
- the animation of Studio Ghibli" - original catalogue
notes excerpted and reprinted in the reprinted in New Zealand
International Film Festivals, touring Auckland, Wellington, Dunedin
and Christchurch
"ARASHI
GA OKA: The Sound of the World Turned Inside-Out " -
JAPANESE HORROR CINEMA, Edinburugh University Press, Edinburugh
"Dragging
Wild Angels, Fat Hogs & Cycle Sluts Down To Hell" - Catalogue
essay for the King Pins' RHAPSODY HAPPPENS, Artspace, Sydney
"Cine
Rock - An Embarrassment of Riches" - CD notes for MORPHO
by Morpho (Dave Brown & David Waddleton), Doctor Jim Records,
Melbourne
"Smells
Like Risky Business" - catalogue essay for the RISK exhibition,
Kings ARI, Melbourne
"Being There" -
catalogue essay for Dominic Redfern's BEING THERE, reprinted
in A SHORT RIDE IN A FAST MACHINE, edited by Charlotte Day, Gertrude
Contemporary Art Spaces, Melbourne
"Curating Video
Art 101" -
Photofile, No.74, Sydney
Lecturer
HISTORICAL
MARKERS OF THE MODERN SOUNDTRACK -
15 part lecture series, presented as Visiting Professor in Film & Comparative
Literature, graduate programme, Iowa University
Speaker
"De-sign: Designing Music
For Film" - AV Presentation, University of Minnesota, Minneapolis;
University of Iowa, Iowa City
"THE
CONVERSATION: Invisibility, Silence & Inner Emptiness" - (extended
lecture from 100
MODERN SOUNDTRACKS) University of Minnesota,
Minneapolis; University of Iowa, Iowa City
"THE
COLOUR OF POMMEGRANATES: Lyrics, Icons and Other Musical States" - (extended
lecture from 100
MODERN SOUNDTRACKS) Fordham University,
New York
"RESIDENT EVIL: Neural Sound
Design and Noise Attacks" - (extended lecture from 100
MODERN SOUNDTRACKS) Storytelling:
Interactivity, Sound & Music, AFTRS, Sydney
"THE EXORCIST: Satanic Vocalization & Bodily
Sounds" - (extended lecture from 100
MODERN SOUNDTRACKS) Screen Studies & Research,
AFTRS, Sydney
"EVAPORATED
MUSIC & the Abject in Pop Music" - AGI
Ideas Conference of Design, Melbourne
"Studio Ghibli - interview with Toshio
Suzuki" - onstage Q+A with Toshio Suzuki for the
Australian premiere of HOWL'S MOVING CASTLE, Sydney International
Film Festival
"Multiple popisms and the post-Murakami
effect in contemporary Japanese art" - panel contribution,
RISING SUN - Japanese Culture Today, Asialink Arts Annual Forum,
Sydney Myer Asia Centre, Melbourne
"Yes - Media Art in Australia still sucks" -
panel contribution, VITAL SIGNS, Australian Centre for Moving
Image, Melbourne
Logo
design
Les Pop Musiques Plastiques (project)
Stadium (project)
Host (project)
Otaku (project)
Nihonoise (project)
Also
* Designer/presenter of
short course on composing for film, AFTRS, Sydney
* Cultural consultant for
touring exhibition of contemporary Japanese art in Australia
2006, Japan Foundation, Tokyo
* Recipient of a New Media
Arts Fellowship from the Australia Council (year 1 of 2)
* Contribution to the King
Pins' 30 BPM video, Kaliman Gallery, Sydney
Interviewed
SBS TV "The Movie Show": 100
MODERN SOUNDTRACKS book
Res Magazine, New York: EVAPORATED
MUSIC DVD
Poster No.8, Melbourne: profile
2004 Director,
writer, editor, composer & sound designer
THE
SOUND OF MILK Prologue (Dolby
Digital 5.1 DVD short) - funded by Strand X of the Australian Film
Commission
Director,
writer, camera, editor & mixer
WORDS
IN MY MOUTH, VOICES IN MY HEAD (Anna)
(Dolby Digital 5.1 DVD short) - independently funded - screened
as part of DESCORE
2 - Australian Centre for the Moving Image, Melbourne
+ as part of RESFEST, Australian Centre for the Moving Image, Melbourne
& Dendy Opera House Cinema, Sydney
Concept,
composer
& sound designer
EVAPORATED
MUSIC I (a-f)
(Dolby Digital 5.1 DVD short) exhibited at
Anna Schwartz Gallery, Melbourne
Director,
producer, editor, composer
& performer
FLUORESCENT
(3-screen Dolby Digital 5.1 DVD installation) - commissioned for
the Contemporary Art Projects, Art Gallery of New South Wales, Sydney
Director,
producer, sound-designer & designer
THE
BODY MALLEABLE (interactive animation with 4-channel
surround sound) - commissioned by the Digital Arts Fund for the
Australian Centre for the Moving Image, Melbourne - exhibited in
2004, ACMI, Melbourne
Live performer & director
AUREVELATEUR
(live quadraphonic surround score to Philippe Garrel's LE REVELATEUR)
- commissioned for the 54th Melbourne International Film Festival
BEAUTIFUL
CYBORG 2 (live quadraphonic surround score to edited
compilation of anime) - Australian National Gallery, Canberra
THE
PLANETS - Loop, Melbourne
SILENCE
AND CRY by Ph2
- IMMERSION 3, Westspace, Melbourne
Producer & curator
DESCORE
1+2 - (7 independently funded digital shorts centred
on collaborations between directors and composers working in Dolby
Digital 5.1 film scores) - staged at Australian Centre for the Moving
Image and supported by Sound Punch Records, ACMI & Arts Victoria
(Music For The Future)
DECOMPOSITION
- (compilation of recent scores by Melbourne composers) - released
on Sound Punch Records and launched at Loop, Melbourne; produced
with support from Arts Victoria (Music For The Future)
Score
composer
ANYONE
HOME - Dolby Digital 5.1 score to video short by
Rosemary Dean
WE
GOTTA GET OUTTA THIS PLACE - Dolby Digital 5.1 score
to digital animation by Phillipa Murray
BUGS ALIVE! - short score commissioned
by the Museum of Melbourne
Sound
designer
STATION PIER - commissioned by
the Immigration Museum of Melbourne
Writer
100
MODERN SOUNDTRACKS -
book on film scores & sound design, commissioned by the British
Film Institute, London
"Dumb About Japan"
- Mesh, No.17, Melbourne
"Osamu
Tezuka & Astro Boy" -
notes to DVD box set of the 1980 colour ASTRO BOY, released in special
edition by Madman Entertainment, Melbourne, 2004 (revised and
adapted from the 1995 Melbourne International Film Festival catalogue
introduction)
"Legions
in the Ceiling"
- UN, No.2, Melbourne
"Picture
Perfect Political Art"
- UN, No.1, Melbourne
"My
Dreadful Failure as an Australian Filmmaker"
- Spinach7, No.3, Melbourne
"The
City is a Sewer" - complete unedited version reprinted
in catalogue for Callum Morton's "More Talk About Buildings & Mood",
MCA Publications, Sydney
"I
Am Van Helsing" - catalogue essay for ESCAPE OPTION,
Westspace, Melbourne
"Wire:
Cinesonic" - review column on film soundtracks in The
Wire No. 249, London, October
Speaker
"De-sign:
Designing Music For Film" - AV Presentation, ACMI Function
Room, Melbourne - supported by Sound Punch Records, ACMI & Arts
Victoria (Music For The Future)
"Fashion
as Body-Becoming, Post-Cloth, & Inverted Gesture" - Centre
for Contemporary Photography, Melbourne, as part of INTERMESH forum
on fashion
"How
Sound Floats On Land (excerpt)" - BEYOND THE SOUNDTRACK
Conference, University of Minnesota, Minneapolis
"FLUORESCENT & other fucked-up things"
- ARTEXPRESS, Art Gallery of New South Wales, Sydney
"EVAPORATED
MUSIC & the Abject in Pop Music" - Queensland Art Gallery,
Brisbane; Musashino Art University, Tokyo; Kyushu Institute of Design,
Fukuoka
"EVAPORATED
MUSIC, Revoicing & Gendered Vocalization" - University
of New South Wales, Sydney
"THE BODY MALLEABLE & the Myth of Interactivity"
- Digit04 Conference on Design, Sydney; ATOM conference, Melbourne;
ACMI, Melbourne
Logo design
Fluorescent (project)
Descore (project)
Design (project)
Decomposition
(CD)
Also
*
EVAPORATED
MUSIC I (a-c)
(stereo version) exhibited in VIDEO HITS, Queensland Art Gallery,
Brisbane
*
EVAPORATED
MUSIC I (c+d)
(stereo version) tours in I THOUGHT I KNEW BUT I WAS WRONG - NEW
VIDEO ART FROM AUSTRALIA, Jamjuree Gallery & Chulalongkorn University
Gallery, Bangkok; Beijing Millenium Monument (MAAP)
*
Participant in National Gallery of Victoria/Australian Centre of
the Moving ImageColloquium
in the development of the "2004" joint-exhibition @ NGV/ACMI,
Melbourne
*
Designer/presenter of short course on composing for film, AFTRS,
Sydney
*
Panel member for assessment of City Of Melbourne Arts Projects grants
*
Guest lecturer at VCA Film & TV, Melbourne; VCA Music, Melbourne
*
Recipient of funding from Arts Victoria (Music For The Future) toward
staging the DESIGN
AV presentation and the DESCORE
film/music events at the Australian Centre of the Moving Image,
Melbourne, and the DECOMPOSITION
compilation CD launch at Loop, Melbourne
*
Recipient of funding from Australian Film Commission (Strand X)
for production of THE
SOUND OF MILK
(Prologue) digital short
*
Recipient
of funding from Asia Link for an arts residency in Japan (Tokyo/Osaka/Kobe/Fukuoka)
Interviewed
Age, Melbourne: DESIGN
and DESCORE
sound-design/film-music events
Dublin Times: 100
MODERN SOUNDTRACKS book
ABC
Radio National: 100
MODERN SOUNDTRACKS
book
Insider:
profile
Fiend: profile
Sydney Morning Herald: on Hayao Miyazaki
2003 Live
performer & director
BEAUTIFUL
CYBORG 2 (live 4-channel surround score to edited
compilation of anime) - 1st Adelaide International Film Festival,
Adelaide
Live
performer
THE
PLANETS - First Floor, Melbourne; Revolver, Melbourne
THE
CAVERN OF DEEP TONES (quadraphonic version) - LIQUID ARCHITECTURE 4, Brisbane
Powerhouse, Brisbane
VOICELESS
- VARIABLE RESISTANCE 4, Westspace, Melbourne
SECRET
ACTS BEHIND 4 WALLS by
Ph2
- SOFT & HARD, E2A4, Melbourne
Live
score by Ph2
to
Dominic Redfern's "Smoke Screen" - PHANTOM
IMAGE 2, Public Office, Melbourne
Live
score to Dominic Redfern's "Glitch" - PHANTOM IMAGE 1, E2A4, Melbourne
Music
producer, co-writer & performer
CD album ROCK for HONEYSMACK
- released by Smelly/Shock Records
Sound
designer & score composer
HOUSE
SECRETS - series of interactive commissioned by the Museum
of Melbourne for the Scienceworks, Melbourne
GAS - muzak for sculptural installation
by Callum Morton, premiered at the Museum of Contemporary Art, Sydney
Writer
"The
Animation Of Sound" - edited version
reprinted in "Movie Music: The Film Reader", Routledge, New York
"Wire:
Cinesonic" - review column on film soundtracks in The
Wire No. 231, London, May
CD notes for HONEYSMACK's
ROCK CD, Smelly/Shock Records
"Celluloid
Symphony" - Beomag (The Bang & Olufsen Magazine), Winter
2003, Melbourne
"Noise
Factory" - Beomag (The Bang & Olufsen Magazine), Winter
2003, Melbourne
"Oooh
You're Hot" - catalogue essay for Chris Langton exhibition,
Tolarno Gallery, Melbourne
"Burnt
In Burnt Out" - catalogue essay for Phip Murray animation,
ABC Strange Attractors national website/gallery
"The
City is a Sewer" - catalogue essay (edited) for Callum
Morton, part of the FACE UP exhibition of contemporary Australian
Art, Hamburger Bahnhof, Berlin
Speaker
"Manga as Art" - Art Gallery of New
South Wales, in conjunction with THE BEAUTY OF TRANSIENCE IN JAPANESE
ART, Sydney
"Rock Stars & Fag Hags - Art & Pop Music"
- Museum of Contemporary Art, Sydney
"Sounds of Sex & Violence" - Adelaide
International Film Festival, Adelaide
"I
Am Robot & Proud" - Australian Centre for the Moving
Image, Melbourne
Also
*
EVAPORATED
MUSIC (a-c)
(Dolby Digital DVD short) exhibited in VIDEO
STORE at Foxy Gallery, New York; screened in the Adelaide International
Film Festival; exhibited in TREATMENT at the Institute for Modern
Art, Brisbane
*
ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
*
APRA/AGSC Judge
Interviewed
Radio National: on Osamu Tezuka
The Age: on Hayao Miyazaki
Metro: on film scores & sound design
2002
Script
writer
THE
SOUND OF MILK (feature)
- 6th draft with script editors Monica Zetlin & Rosemary Dean
Director
& producer
video clip: GIVE ME LIBERTY by HONEYSMACK
(video short on Zomba Records)
Live
performer & director
BEAUTIFUL
CYBORG 2 (live quadraphonic surround score to edited
compilation of anime) - for Japanime 2, Sydney & Melbourne
BEAUTIFUL
CYBORG 1 (live quadraphonic surround score to edited
compilation of anime) -co-composed and performed with Francois
Tetaz
& Darrin Verhagen - Kino Cinema, Melbourne
Music
releases
FILMMUSIC
Vol.1 (writer, performer, mix & production) - CD
released on Sound Punch
JANET
LEIGH (DEAD) by Ph2
(co-writer, performer, mix & production) - CD released in Dolby
Surround on Sound Punch
BEAUTIFUL
CYBORG 1 by Philip Brophy, Francois Tetaz & Darrin
Verhagen (co-writer, performer, co-mix & co-production) - CD released
in Dolby Surround on Sound Punch
Music
producer, co-writer & performer
CD single GIVE ME LIBERTY for HONEYSMACK
- released by Zomba Records
CD single DANCE for HONEYSMACK
- released by Zomba Records
Sound
designer & score composer
WHISPERING
IN THE DARK (16mm short) - directed by Lynne B. Williams
& produced by Aida Innocente; funded by AFC & Cinemedia; premiered
at St.Kilda Film Festival
Writer
"Sound: George Lucas' Star Wars Ep.2'" - Film Comment
Vol.38 No.4, New York
"Wire:
Cinesonic" - review column on film soundtracks in The
Wire No. 226, London, December 2002
"Sound:'Furi
Kuri'" - Film Comment Vol.38 No.6, New
York
"Baby
You're The Right Kind of Wrong - Pop Music, Cinema & Other Holes"
- Photofile No.66, Sydney
"Vinyl
Fantasy" Gloss No.4, Melbourne
CD notes for Lazy's MICROSONICS
CD, Doctor Jim Records
Exhibition notes for Vanessa Sowerwine's PLAY
WITH ME, Centre of Contemporary Photography, Melbourne
"Sonic
Occupancy: A Brief Walk Through Sampling, Sensation & Space"
- reprinted in Red No.1, Australian Centre for Contemporary Art,
Melbourne
"John Zorn Interview" - reprinted
in Cartoon Music, edited by Daniel Goldmark & Yuval Talor, A
Capella, New York (original version in "KABOOM:
Explosive Animation from America & Japan" - book published
by Museum of Contemporary Art Publications, Sydney, 1994)
Speaker
"Noise
& Conduction (With Passing Reference To The Absence Of Ideas In
Australian Cinema)" - Australian Screen Directors Association
conference, Sydney
Also
*
EVAPORATED
MUSIC (a-c)
(Dolby Digital DVD short independently funded) screened LIQUID ARCHITECTURE
3, Treasury Theatre, Melbourne; SCREEN LIFE - Videos From Australia,
Museo Nacional Centro de Arte, Reina Sofia, Spain & Govett-Brewster
Art Gallery, New Zealand
*
BODY MELT
screens as part of SCREEN LIFE - Videos From Australia, Museo Nacional
Centro de Arte, Reina Sofia, Spain & Govett-Brewster Art Gallery,
New Zealand
*
ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
*
Recipient of funding from the Digital Arts Fund through Cinemedia
for development of THE
BODY MALLEABLE
interactive animation
2001
Script
writer
THE
SOUND OF MILK (feature) - 4th draft with script editor
Monica Zetlin, & readers Kim Gyngell & Alice Garner; funded by Film
Victoria
Live performer, co-composer & director
BEAUTIFUL
CYBORG 1 (live quadraphonic surround score to edited
compilation of anime) -co-composed and performed with Francois
Tetaz
& Darrin Verhagen for the 50th Melbourne International Film Festival
Sound designer & score composer
ESCAPE
FROM ANDRAXUS - 6 channel soundtrack commissioned
by the Museum of Melbourne for the Melbourne Planetarium, Scienceworks,
Melbourne
BLOW
(16mm short) - directed by Marie Craven & produced by Lizzette Atkins;
funded by AFC & Cinemedia; premiered at 50th Melbourne International
Film Festival
LAUNCH
PAD - 6 channel soundtrack commissioned by the Museum
of Melbourne for the Melbourne Planetarium, Scienceworks, Melbourne
Conference
director
CINESONIC
- 4th International Conference On Film Scores & Sound Design
- Treasury Theatre, Melbourne
Writer
"Funny
Accents: The Sound of Racism"
- CINESONIC:
Experiencing The Soundtrack, AFTRS Publishing, Sydney
"In
Memoriam: Jack Nitzsche" - CINESONIC:
Experiencing The Soundtrack, AFTRS Publishing, Sydney
"Cinesonics:
Bring It On" - Real Time No.41, Sydney
"Cinesonics:
Cast Away" - Real Time No.42, Sydney
"Cinesonics:
Crazy" - Real Time No.43, Sydney
All Real Time articles are part of the Cinesonics bi-monthly
column
"Local
Noise: Australian Film Sound & Music" - Metro No.127,
Melbourne
"Pale
Glitter - Fat Sound" - catalogue essay for exhibition
NONE MORE BLACKER, 200 Gertrude Street, Melbourne
"Suburbia"
- CD notes for the Underground Lovers' MALLBOY
soundtrack CD, Silvertone Records
"Techno
Collapse - Sound in the Age of Mechanical Malfunction"
- Like No.15, Melbourne
Editor
CINESONIC:
Experiencing The Soundtrack - AFTRS Publishing, Sydney
(collected essays/ talks/interviews from CINESONIC
3rd International Conference On Film Scores & Sound Design)
Guest editor for special Sound Art issue - Like No.15, Melbourne
Speaker
"Body
Mats & Super Slams: Sport, Sound & Violence" - CINESONIC
4th International Conference on Films Scores & Sound Design,
Treasury Theatre, Melbourne
"Sound & Music in Film" - 3rd Indigenous
Narrative Initiative, Australian Film Commission, Sydney
"Door Bitches, Nymphomaniacs, Interior Decorators
& Other Curators" - curatorial Lab, Ian Potter Gallery, Melbourne
Logo
design
Honeysmack (project)
Also
*
Recipient of funding from City Of Melbourne + Cinemedia + the Australian
Film Commission for CINESONIC
4th International Conference On Film Scores & Sound Design
*
Recipient
of funding from Film Victoria / Cinemedia for script development
of THE
SOUND OF MILK
*
Panel member for assessment of City Of Melbourne Festivals grants
*
Advisory Board member, Like magazine, Melbourne
Interviewed
Meanjin: profile
Radio National: on urine
2000
Concept-director,
sound
designer & composer
EVAPORATED
MUSIC
(a-b)
(Dolby Digital video short independently funded) exhibited in stereo
as part of RENT at Overgaden Gallery; Copenhagen & the Australian
Centre for Contemporary Art, Melbourne
EVAPORATED
MUSIC
(a-c) presented as work-in-progress in 4 channel sound
projection at the Australian Centre for Contemporary Art, Melbourne
EVAPORATED
MUSIC
(c) (Dolby Digital video short independently funded)
exhibited in stereo as part of LIBERTY, RMIT Gallery, Melbourne
Live
performer
Live drum&bass remix version of THE
CAVERN OF DEEP TONES (Australian Centre for Contemporary
Art; The Lounge, Melbourne)
LAZY3
(Australian Centre for Contemporary Art, Melbourne)
Music
producer
Film score by The Underground Lovers for MALLBOY
Promo CD single for HONEYSMACK:
I WANT YOU (unreleased)
Exhibition CD single for Martine Corompt's WILD
BOY exhibition, Centre for Contemporary Photography,
Melbourne
Sound
designer, score producer & music supervisor
MALLBOY
(35mm Dolby Stereo feature) - directed by Vince Giarrusso & produced
by Fiona Eagger; funded by AFC & SBS; premiered at the 49th Melbourne
International Film Festival
Curator
A
LUST FOR VIOLENCE -
Seijun Suzuki (retrospective) - 49th Melbourne International
Film Festival
Conference
director
CINESONIC
- 3rd International Conference On Film Scores & Sound Design
- Capitol Theatre & Treasury Theatre, Melbourne
Writer
"Please
- No More Boring Video Art" - Like No.8, Melbourne
"The
Scent of Pacino" - Senses of Cinema No.6, Melbourne
"In
Memoriam: Jack Nitzsche" - Senses of Cinema No.9, Melbourne
& APRAP December
"Seijin
Suzuki: A Lust for Violence - Suzuki overview & screening notes"
- 49th Melbourne International Film Festival catalogue
"Sonic
Occupancy: A Brief Walk Through Sampling, Sensation & Space"
- special RENT issue of Ojeblikket, #3, Vol.10, Copenhagen
"Monster
Island: Godzilla & Japanese sci-fi/horror/fantasy" -
Postcolonial Studies, Vol.3, No.1, London
"Mayhem,
Magic & Maelstroms - the Animation of Studio Ghibli"-
reprinted in the catalogue to the 23rd New Zealand International
Film Festival, Dunedin
"Cinesonics:
Walking With Dinosaurs" - Real Time No.35, Sydney
"Cinesonics:
Magnolia" - Real Time No.36 & 37 (two parts), Sydney
"Cinesonics:
The Straight Story" - Real Time No.38, Sydney
"Cinesonics:
The Virgin Suicides" - Real Time No.40, Sydney
All Real Time articles are part of the Cinesonics bi-monthly
column
"How
Sound Floats On Land" - CINESONIC:
Cinema & The Sound of Music, AFTRS Publishing, Sydney
"Being
There" - catalogue for Dominic Redfern's BEING THERE,
200 Gertrude Street, Melbourne
"Horrality
- The Textuality of the Contemporary Horror Film" - reprinted in The Horror Reader, edited
by Ken Gelder, Routledge, London
Editor
CINESONIC:
Cinema & the Sound of Music - AFTRS Publishing, Sydney
(collected essays/talks/interviews from CINESONIC
2nd International Conference On Film Scores & Sound Design)
Speaker
"Techno
Collapse - Sound in the Age of Mechanical Malfunction"
- delivered as part of the FLUXUS retrospective @ RMIT Gallery,
Melbourne
Opening address for Cindy Sherman's OFFICE KILLER, George Cinemas,
Melbourne
"Osamu
Tezuka's Manga" - Japanime Festival, Sydney
"Funny
Accents: The Sound of Racism"
- CINESONIC
3rd International Conference on Films Scores & Sound Design,
Capitol Theatre & Treasury Theatre, Melbourne
Also
*Recipient
of funding from City Of Melbourne + Cinemedia + the Australian Film
Commission for CINESONIC
3rd International Conference on Films Scores & Sound Design
*Soundtrack
consultancy report commissioned by Cinemedia
*ARIA
Judge: Best Soundtrack, ARIA Awards, Sydney
*Panel
discussion on Academic vs. Pop Music, SONIC RESIDUE 2, Australian
Centre for Contemporary Art
Interviewed
ABC Arts Show: on FLUXUS
Radio National: on music in films
Brisbane Courier Mail: on Japanese animation & POKEMON
The Australian: on Japanese animation
1999
Music
release
THE
CAVERN OF DEEP TONES (writer, performer, mix & production)
- CD released in Dolby Surround on Sound Punch
BIONIC
BLUE BUBBLEGUM SLURPEE by Ph2
(co-writer, performer, mix & production) - CD released in Dolby
Surround on Sound Punch
ONE
LARGE MAGNETIC CARTRIDGE by LAZY3
(co-writer, performer, mix & production) - CD released on Sound
Punch
Live
performer
collaboration with LAZY officially reformed into the trio LAZY3
(The Continental, Australian Centre for Contemporary Art, The Punter's
Club, the Percy Grainger Museum)
BIONIC
BLUE BUBBLEGUM SLURPEE by Ph2
(The Continental, The Punter's Club (both in stereo version);
the Percy Grainger Museum (outdoor quadraphonic presentation)
JANET
LEIGH (DEAD) by Ph2
(Australian Centre for Contemporary Art, Anna Schwartz Gallery)
Collaboration with HONEYSMACK
(Revolver Upstairs - tracks released on the Honeysmack CD FLICK
BUBBLE)
Collaboration between Ph2 + Honeysmack as Phoneysmack (Laundry)
Live score to Dominic Redfern's "Smoke Screen" - VIDEOSONIC, ALT-TV
screen, Melbourne
Live
presentation
"Swarm" (excerpt from
THE CAVERN OF DEEP TONES)
- presented in Dolby Digital as part of IMMERSION, Treasury Theatre,
Melbourne
Director
& producer
video clip: WALK ON ACID by HONEYSMACK
(video short on Smelly Records)
Conference
director
CINESONIC
- 2nd International Conference On Film Scores & Sound Design
- RMIT, Melbourne
Writer
"Being
Blind: A Polemical Manual for Using New Audiovisual Technologies"
- Iris No.27 - special issue on the state of sound studies, Paris
"The
Birds: The Triumph of Noise Over Music" - Essays In Sound
No.4, Sydney
"Cinesonics:
Something
About Mary, Velvet Goldmine, The Boys, Vampires + Boogies Nights"
- Real Time No.29, Sydney
"Cinesonics:
Neon Genesis Evangelion"
- Real Time No.31, Sydney
"Cinesonics:
I
Stand Alone + Run Lola Run" - Real Time No.32, Sydney
All Real Time articles are part of the Cinesonics bi-monthly
column
"I
Scream In Silence - Cinema, Sex & The Sound Of Women Dying"
- CINESONIC:
The World of Sound in Film, AFTRS Publishing, Sydney
CD notes for the HONEYSMACK's
FLICK
BUBBLE CD
"Empty"
- catalogue for Glen Sloggett's EMPTY,Centre of Contemporary Art,
Melbourne
Editor
CINESONIC:
The World of Sound in Film - AFTRS Publishing, Sydney
(collected essays/talks/interviews from CINESONIC
1st International Conference On Film Scores & Sound Design)
Speaker
"How
Sound Floats On Land" - CINESONIC
- 2nd International Conference On Film Scores & Sound Design,
RMIT, Melbourne
"The Rising Sun Set: The West's Fascination
with Japan", panel discussion, The Melbourne Writer's Festival,
Melbourne
"Re-inventing Tradition and Reverence for
the Superficial", Asian Arts Society forum, Caulfield Arts
Centre, Melbourne
"Dolby
Stereo & issues of sound and silence in recordable space"
- Immersion, Treasury Theatre, Melbourne
Interviewed
Radio National: on orchestral film scores
The Age, Melbourne: on Japanese manga & animation
The Courier, Brisbane: on Japanese manga & animation
Radio National: on sound design
The Age, Melbourne: on sound design
The Sydney Morning Herald, Sydney: on sound design
Also
*
Recipient
of funding from City Of Melbourne, Cinemedia + the Australian Film
Commission for CINESONIC - 2nd International Conference On Film
Scores & Sound Design
1998
Sound
designer & score composer
PARADISE
(16mm short) - directed by Illana Schulman & produced by Lizzette
Atkins; funded by AFC & Cinemedia; premiered at the 47th Melbourne
International Film Festival
Live
performer
collaboration with LAZY (Dave
Brown
& Sean Baxter - see LAZY3)
- (Sub
Terrain, The Public Bar)
BIONIC
BLUE BUBBLEGUM SLURPEE by Ph2 (Art
Gallery of New South Wales, Australian Centre for Contemporary
Art (both in quadraphonic version); Revolver Upstairs, Slappo's
(both in stereo version))
Music
producer
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