2008

Director, co-producer, writer & composer
GREY METAL (feature) - in pre-production
THE SOUND OF MILK (feature) - in development

Concept, composer & sound designer
EVAPORATED MUSIC 1 (a-f) (Dolby Digital 5.1 DVD short) - exhibited in POP SHOP, MU Gallery, Eindhoven
EVAPORATED MUSIC 1
(a-f) (Dolby Digital 5.1 DVD short) - exhibited in TRACE ELEMENTS, Tokyo Opera City Art Gallery, Tokyo
EVAPORATED MUSIC 1 (a-f) (Dolby Digital 5.1 DVD short) - exhibited in VIDEO LOGIC, Museum of Contemporary Art, Sydney
EVAPORATED MUSIC 2 (a+b) (Dolby Digital 5.1 DVD short) - exhibited in ONE OF US CANNOT BE WRONG, Centre for Contemporary Photography, Melbourne (forthcoming)

Live performer
KISSED (live quadraphonic surround score to Andy Warhol's KISS) - Gallery of Modern Art, Brisbane (part of the ANDY WARHOL UP LATE concert series curated by Paul Curtis)
STADIUM (live drum and sampler performance - excerpt) - Palais Theatre, Melbourne (for the event UNITED ARTISTS)
Live performance with David Brown - part of the YOU DON'T HAVE TO CALL IT MUSIC series, Toff, Melbourne

Writer
THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT - book on the film, commissioned for the AUSTRALIAN SCREEN CLASSICS series, Currency Press, Sydney & the National Film & Sound Archive
"Sound : No Country For Old Men" - Film Comment Vol.44 No.2, March-April, New York
"CITIZEN KANE: The sound of the look of a 'visual masterpiece'" - Music & The Moving Image, Vol.1 No.3, University of Illinois Press, Champaign
"Where Sound Is: The Absent Aural in Film Theory" - SAGE HANDBOOK OF FILM STUDIES, Sage Press, London

"The Unradicality of Art: Self-centring Artists, Mediarised Crackpots & Alchemical Conductors" - Biennale Critical Reader, Artspace, Sydney

Lecturer

CONTEMPORARY TRACES OF THE MODERN SOUNDTRACK - 11 part lecture series, presented as guest lecturer at RMIT School of Art, Melbourne

Speaker
"The Visual Arts & Pop Music: Lke A Cat Fucking A Dog" - contribution to the PLAY IT LOUD panel discussion for Artists' Week, Adelaide
Introduction to screening of EL TOPO, IMA event @ Dendy Cinema, Brisbane
"EVAPORATED MUSIC, Revoicing & Gendered Vocalization" - Museum of Contemporary Art, Sydney

Also
* Monthly column on anime, Empire Magazine, Sydney

2007

Director, animator & sound designer
VOX (2-screen Dolby Digital 5.1 animation) - Gertrude Contemporary Art Spaces, Melbourne; Institute of Modern Art, Brisbane

Director, producer, editor, composer & performer
FLUORESCENT (3-screen Dolby Digital 5.1 DVD installation) - Institute of Modern Art, Brisbane

Director, editor, animator, composer & performer
NORTHERN VOID (Dolby Digital 5.1 DVD live surround-sound score by Ph2) - Australian Centre for the Moving Image, Melbourne

Director, producer, sound-designer & designer
THE BODY MALLEABLE (interactive animation with 4-channel surround sound) - inaugral invitation work exhibited in conjunction with the EROTIC ART PRIZE, Artrage Bakery, Perth;
exhibited in SKIN, National Museum of Art, Osaka

Live performer
AUREVELATEUR (live quadraphonic surround score to Philippe Garrel's LE REVELATEUR) - Perth (part of the TOTALLY HUGE NEW MUSIC FESTIVAL)
BEAUTIFUL CYBORG 2 (live quadraphonic surround score to edited compilation of anime) - Perth (part of the TOTALLY HUGE NEW MUSIC FESTIVAL)

Curator
TEZUKA - The Marvel of Manga - curated exhibition at Art Gallery of New South Wales, Sydney, & the Asian Art Museum of San Francisco
Focus on TEZUKA - curated film programme at the Chauvel Cinema, Sydney; Australian Cinematheque, Brisbane; Mercury Cinema, Adelaide; Revelation - Perth International Film Festival, Perth


Writer
"Die, Warhol, Die" - catalogue essay for the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Sound : Seven Easy Pieces" - Film Comment Vol.43 No.6, November-December, New York
"Corrupted By Depth" - catalogue essay to Gary Carsley's SCENIC ROOT, Contemporary Art Projects Space, Art Gallery of New South Wales, Sydney
"Sound : Linda Linda Linda" - Film Comment Vol.43 No.4, July-August, New York
"How Sound Floats On Land (excerpt)" - BEYOND THE SOUNDTRACK: Representing Music in Cinema, University of California Press
"Sonic - Atomic - Neumonic: Apocalyptic Echoes in Japanese Animation" - ILLUSION OF LIFE 2 - ESSAYS ON ANIMATION, Power Publications, Sydney (from original presentation at the Illusion of Life conference, Sydney 1995)
"PUNCH-DRUNK LOVE - From Muzak to Prozac & Beyond" - (extended from entry in 100 MODERN SOUNDTRACKS) FFWD Magazine No.4, January, Rome
"2006 Critics' Top Ten" - Film Comment Vol.43 No.1, January-February, New York
"'n_scape' & 'Becoming' as Acts of Japanese Art" - Bijutsu Techo Vol.59, No.890, January 2007, Tokyo
"The 50 Best Things About Anime" - Empire (Australian edition), January 2007, Sydney
"The RAPT! symposium: a wandering wrap-up of ideas surfaced" - catalogue essay for RAPT! 20 CONTEMPORARY ARTISTS FROM JAPAN Volume 2, Tokyo/Melbourne

Lecturer
HISTORICAL MARKERS OF THE MODERN SOUNDTRACK - 11 part lecture series, presented as guest lecturer at RMIT School of Art, Melbourne
TRACES OF SOUNDTRACKS - 4 part radio series on 20th Century film composers, reconfigured for audiovisual presentation, AFTRS Melbourne & Sydney
"Sexual Robots and Plastic Humans in Anime" - (extended lecture from 100 ANIME) - special lecture tour commissioned by the Consul of Japan & the Japanese Embassy, New Zealand & the Japan Foundation: University of Canterbury, Christchurch; Victoria UNiversity, Wellington; the Japan Information & Culture Centre, Wellington; Auckland Museum, Auckland

Speaker
"Andy Warhol - Symposium" - in conjunction with the opening of the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Australian Art after Andy Warhol" - panel discussion in conjunction with the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"Writer's Talk" - floor talk on select Warhol works in the exhibition ANDY WARHOL, Queensland Art Gallery, Brisbane
"From Boring Video Art to Pseudo Cinema" - talk in conjunction with the exhibition CENTRE POMPIDOU VIDEO ART 1965-2005, Australian Centre for the Moving Image, Melbourne
"Pseudo Soundtracks: The Myth of Inventive Audio-Vision in Experimental Cinema" - keynote talk for the Totally Huge New Music Conference, Perth
"TEZUKA: From manga to anime" - Chauvel Cinema, Sydney; Australian Cinematheque, Brisbane; Revelation - Perth International Film Festival, Perth
"TEZUKA: Introduction to manga" - Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Asian Art Museum of San Francisco; Brisbane Writers Festival, Brisbane
"De-sign: Designing Music For Film" - AV Presentation: VCA Film & TV School, Melbourne; Western Australian Academy of Performing Arts, Perth

Interviewed
The Daily Telegraph, The Sydney Morning Herald, J-Style, ABC Asia Pacific (all Sydney): TEZUKA: Marvel of Manga
San Francisco Chronicle, Wire.com, Berkeley Radio, Kron 4 TV, Nichi Bei Times (all San Francisco): TEZUKA: Marvel of Manga
The Age, Preston Leader, Radio National, 3RRR (all Melbourne): NORTHERN VOID
Drum Media, RTR-FM (Perth): AUREVELATEUR
Broadsheet Vol.36 No.1, Adelaide: profile

Also
* EVAPORATED MUSIC 1 (a,c,f,g) & 2 (a) - Talk & screening at Footscray AudioVisual Social Club, Footscray Community Arts Centre, Melbourne
* EVAPORATED MUSIC 1 (c+d) - Scanners International Video Festival, Lincoln Film Centre, New York
* EVAPORATED MUSIC 1 (a-f) - Revelation - Perth International Film Festival, Perth
* BODY MELT - Revelation - Perth International Film Festival, Perth
* Various artist talks: Monash University, Victorian College of the Arts, RMIT University, Swinburne Institute of Technology (all Melbourne); Institute of Modern Art, Brisbane
* Monthly column on anime, Empire Magazine, Sydney

2006

Director, producer, editor, composer & performer
FLUORESCENT (3-screen Dolby Digital 5.1 DVD installation) - exhibited in SINGAPORE BIENNALE 2006, Singapore

Director, producer, sound-designer & designer
THE BODY MALLEABLE (interactive animation with 4-channel surround sound) - exhibited in the ANNE LANDA AWARD FOR MEDIA ART, Art Gallery of New South Wales, Sydney

Concept, composer & sound designer
EVAPORATED MUSIC 2 (a) (Dolby Digital 5.1 DVD short) exhibited at Artspace, Sydney
EVAPORATED MUSIC I (a-f) (Dolby Digital 5.1 DVD short) exhibited as part of INTERFACE, Vasserspaicher, Berlin

Live performer
AUREVELATEUR (live quadraphonic surround score to Philippe Garrel's LE REVELATEUR) - Powerhouse, Brisbane & Deckchair Cinema, Darwin (part of SOUNDS UNUSUAL Festival of New Music)
BEAUTIFUL CYBORG 2 (live quadraphonic surround score to edited compilation of anime) - Powerhouse, Brisbane
I AM PIANO (live suite for piano samples) - LIQUID ARCHITECTURE 7, Arts House, Melbourne (quadraphonic version); Wine Bar, Auckland (stereo version)
HEAT - live surround-sound score by Ph2 to video by Dominic Redfern - INTERFACE, Vasserspaicher, Berlin
UNTITLED - live surround-sound score with Marc Behrens to video by Springer/Parker - INTERFACE, Vasserspaicher, Berlin

Score composer
LOVESTRUCK
(DV featurette) - directed by Megan Spencer & produced by Rosemary Blythe; premiered at 55th Melbourne International Film Festival

Sound Designer
NO ANSWER - 6-channel surround sound to sculptural installation by Martine Corompt - commissioned for the Laneway Commissions 2006, City of Melbourne

Curator
TEZUKA - The Marvel of Manga - curated exhibition for the National Gallery of Victoria International, Melbourne
Focus on TEZUKA - curated film programme for the Australian Centre for the Moving Image, Melbourne

Editor
TEZUKA - The Marvel of Manga - National Gallery of Victoria International, Melbourne

Writer
"Sound: Katsuhito Ishii's 'Funky Forest'" - Film Comment Vol.42 No.6, November-December, New York
"Epiphanies: John Cage (not)" - The Wire, No. 273, November, London
"Misreading Manga" - TEZUKA - The Marvel of Manga, National Gallery of Victoria, Melbourne
"Tezuka's Gekiga: Behind The Mask" - TEZUKA - The Marvel of Manga, National Gallery of Victoria, Melbourne
"Singapore Biennale 2006 " - Flash, October, Melbourne
"Sound: Michael Haneke's '71 Fragments'" - Film Comment Vol.42 No.5, September-October, New York
"Sound: Sayajit Ray's 'The Chess Players'" - Film Comment Vol.42 No.4, July-August, New York
"Sound: Alexander Sukurov's 'The Sun'" - Film Comment Vol.42 No.3, May-June, New York
"L'Amour Japan: Recent Frissons in Japanese Cinema" - Metro Magazine, No. 149, Melbourne
"Favourite Things: Edouard Detaille's Vive l'empereur (1891)" - Commissioned by The Good Weekend - unpublished due to use of the word "precum", Melbourne
"Dragging Wild Angels, Fat Hogs & Cycle Sluts Down To Hell" - Catalogue essay for the King Pins' RHAPSODY HAPPPENS - reprinted for the Gertrude Contemporary Art Space exhibition, Melbourne
"Anime & Manga" - Tokyo Lonely Planet Guide, Melbourne
"Manga & Anime in Australia" - Wochi Kochi No.13, Tokyo
"Prismatic Japan: Angles on Contemporary Art from Japan" - catalogue essay for RAPT! 20 CONTEMPORARY ARTISTS FROM JAPAN, Tokyo/Melbourne

Lecturer
HISTORICAL MARKERS OF THE MODERN SOUNDTRACK - 11 part lecture series, presented as guest lecturer at RMIT School of Art, Melbourne
TRACES OF SOUNDTRACKS - 4 part radio series on 20th Century film composers, reconfigured for audiovisual presentation, AFTRS Melbourne & Sydney

Speaker
"TEZUKA: From manga to anime" - Australian Centre for the Moving Image, Melbourne
"Drag Mash" - Panel Participant, Gertrude Contemporary Art Space, Melbourne
"TEZUKA: Introduction to manga" - National Gallery of Victoria, Melbourne
"n-scape Japan: Traversing Contemporary Japanese Art" - panel contribution for the RAPT! 20 CONTEMPORARY ARTISTS FROM JAPAN symposium, Asialink, Melbourne
"FLUORESCENT & other fucked-up things" - Singapore Biennale 2006, Singapore
"GANTZ: Evacuating the Self" - (extended lecture from 100 ANIME) presented as a Popcorn Taxi event for the Melbourne launch of the book, Australian Centre for the Moving Image, Melbourne; presented as a Dendy Cinemas Special Event, Dendy Opera Quays, Sydney; presented by FullScreen, Australian National Gallery, Canberra
"Sexual Robots and Plastic Humans in Anime" - (extended lecture from 100 ANIME) - Australian Film TV &, Radio School, Sydney
"METROPOLIS: Imagined Cities, Suppressed Architecture, Remembered Spirits" - (extended lecture from 100 ANIME) - University of Queensland, Brisbane
"De-sign: Designing Music For Film" - AV Presentation: University of Edinburgh, UK; AFTRS, Sydney; VCA Film & TV School, Melbourne; Tokyo National University of Fine Arts, Japan
"AKIRA: Post-atomic landscapes & post-sonic mindscapes" - (extended lecture from 100 MODERN SOUNDTRACKS) University of Liverpool, UK; Queensland Art Gallery, Brisbane
"MAGNOLIA - Vocal Noise, Multiplied Music and Song-As-Narrative" - (extended lecture from 100 MODERN SOUNDTRACKS) Royal Holloway University of London, UK

Also

* EVAPORATED (f) (Dolby
*
Cultural consultant for Australian exhibition
* Recipient of a New Media Arts Fellowship from the Australia Council (year 2 of 2)
* Recipient of an AFC Travel Grant for International Market attendance

Interviewed
Fridae-com, Singapore: FLUORESCENT
MX, Anime Snack Time (Madman podcast), Nichigo Press, Beat, N-Press, Radio National (all Melbourne), The South China Morning Post, Hong Kong & The Daily Telegraph & The Australian (both Sydney): TEZUKA: Marvel of Manga
Financial Review, Sydney & The Australian, Sydney: on RAPT! and contemporary Japanese art
Scene, Rave & Time-Off, Brisbane: AUREVELATEUR and BEAUTIFUL CYBORG 2
Australian, Drum Media & Radio National Movie Time, Sydney: 100 ANIME
Photofile No. 77, Sydney: profile

2005

Director, writer & editor
THE SOUND OF MILK Prologue (silent trailer version of DVD short) - funded by Strand X of the Australian Film Commission - screened as part of BOX2, Federation Square Public Screen, Melbourne

Music releases
AUREVELATEUR (writer, performer, mix & production) - CD released on Sound Punch

Live performer
I AM PIANO (live suite for piano samples) - Articulating Space Concert 3, Ignifuge, Melbourne
JANET LEIGH (DEAD) by Ph2 - 8-channel version, Experimedia, State Library of Victoria, Melbourne

Score composer
THE PINING TREE
- stereo score to digital animation by Rosemary Dean

Radio writer & presenter
TRACES OF SOUNDTRACKS - 4 part radio series on 20th Century film composers, commissioned by ABC Radio and broadcast nationally on ABC Classic FM

Curator
AURAL GAZING - Japanese Audiovision - commissioned for the Experimenta VANISHING POINT programme, Australian Centre for the Moving Image, Melbourne

Writer
100 ANIME - book on Japanese animation, commissioned by the British Film Institute, London
100 MODERN SOUNDTRACKS - book on film scores & sound design, translated into Japanese, published by Film Art, Tokyo
100 MODERN SOUNDTRACKS - book on film scores & sound design, released in the US through University of Caliifornia Press
"Mayhem, Magic & Maelstroms - the animation of Studio Ghibli"
- original catalogue notes excerpted and reprinted in the reprinted in New Zealand International Film Festivals, touring Auckland, Wellington, Dunedin and Christchurch

"ARASHI GA OKA: The Sound of the World Turned Inside-Out " - JAPANESE HORROR CINEMA, Edinburugh University Press, Edinburugh
"Dragging Wild Angels, Fat Hogs & Cycle Sluts Down To Hell" - Catalogue essay for the King Pins' RHAPSODY HAPPPENS, Artspace, Sydney
"Cine Rock - An Embarrassment of Riches" - CD notes for MORPHO by Morpho (Dave Brown & David Waddleton), Doctor Jim Records, Melbourne
"Smells Like Risky Business" - catalogue essay for the RISK exhibition, Kings ARI, Melbourne
"Being There" - catalogue essay for Dominic Redfern's BEING THERE, reprinted in A SHORT RIDE IN A FAST MACHINE, edited by Charlotte Day, Gertrude Contemporary Art Spaces, Melbourne
"Curating Video Art 101" - Photofile, No.74, Sydney

Lecturer
HISTORICAL MARKERS OF THE MODERN SOUNDTRACK - 15 part lecture series, presented as Visiting Professor in Film & Comparative Literature, graduate programme, Iowa University

Speaker
"De-sign: Designing Music For Film" - AV Presentation, University of Minnesota, Minneapolis; University of Iowa, Iowa City
"THE CONVERSATION: Invisibility, Silence & Inner Emptiness" - (extended lecture from 100 MODERN SOUNDTRACKS) University of Minnesota, Minneapolis; University of Iowa, Iowa City
"THE COLOUR OF POMMEGRANATES: Lyrics, Icons and Other Musical States" - (extended lecture from 100 MODERN SOUNDTRACKS) Fordham University, New York
"RESIDENT EVIL: Neural Sound Design and Noise Attacks" - (extended lecture from 100 MODERN SOUNDTRACKS) Storytelling: Interactivity, Sound & Music, AFTRS, Sydney
"THE EXORCIST: Satanic Vocalization & Bodily Sounds" - (extended lecture from 100 MODERN SOUNDTRACKS) Screen Studies & Research, AFTRS, Sydney
"EVAPORATED MUSIC & the Abject in Pop Music" - AGI Ideas Conference of Design, Melbourne
"Studio Ghibli - interview with Toshio Suzuki" - onstage Q+A with Toshio Suzuki for the Australian premiere of HOWL'S MOVING CASTLE, Sydney International Film Festival
"Multiple popisms and the post-Murakami effect in contemporary Japanese art" - panel contribution, RISING SUN - Japanese Culture Today, Asialink Arts Annual Forum, Sydney Myer Asia Centre, Melbourne
"Yes - Media Art in Australia still sucks" - panel contribution, VITAL SIGNS, Australian Centre for Moving Image, Melbourne

Logo design
Les Pop Musiques Plastiques (project)
Stadium (project
)
Host (project)
Otaku (project)
Nihonoise (project)

Also
* Designer/presenter of short course on composing for film, AFTRS, Sydney
* Cultural consultant for touring exhibition of contemporary Japanese art in Australia 2006, Japan Foundation, Tokyo
* Recipient of a New Media Arts Fellowship from the Australia Council (year 1 of 2)
* Contribution to the King Pins' 30 BPM video, Kaliman Gallery, Sydney


Interviewed
SBS TV "The Movie Show":
100 MODERN SOUNDTRACKS book
Res Magazine, New York: EVAPORATED MUSIC DVD
Poster No.8, Melbourne: profile

  2004

Director, writer, editor, composer & sound designer
THE SOUND OF MILK
Prologue (Dolby Digital 5.1 DVD short) - funded by Strand X of the Australian Film Commission

Director, writer, camera, editor & mixer
WORDS IN MY MOUTH, VOICES IN MY HEAD (Anna) (Dolby Digital 5.1 DVD short) - independently funded - screened as part of DESCORE 2 - Australian Centre for the Moving Image, Melbourne + as part of RESFEST, Australian Centre for the Moving Image, Melbourne & Dendy Opera House Cinema, Sydney

Concept, composer & sound designer
EVAPORATED MUSIC I (a-f) (Dolby Digital 5.1 DVD short) exhibited at Anna Schwartz Gallery, Melbourne

Director, producer, editor, composer & performer
FLUORESCENT (3-screen Dolby Digital 5.1 DVD installation) - commissioned for the Contemporary Art Projects, Art Gallery of New South Wales, Sydney

Director, producer, sound-designer & designer
THE BODY MALLEABLE (interactive animation with 4-channel surround sound) - commissioned by the Digital Arts Fund for the Australian Centre for the Moving Image, Melbourne - exhibited in 2004, ACMI, Melbourne

Live performer & director
AUREVELATEUR (live quadraphonic surround score to Philippe Garrel's LE REVELATEUR) - commissioned for the 54th Melbourne International Film Festival
BEAUTIFUL CYBORG 2 (live quadraphonic surround score to edited compilation of anime) - Australian National Gallery, Canberra
THE PLANETS - Loop, Melbourne
SILENCE AND CRY by Ph2 - IMMERSION 3, Westspace, Melbourne

Producer & curator

DESCORE 1+2 - (7 independently funded digital shorts centred on collaborations between directors and composers working in Dolby Digital 5.1 film scores) - staged at Australian Centre for the Moving Image and supported by Sound Punch Records, ACMI & Arts Victoria (Music For The Future)

DECOMPOSITION - (compilation of recent scores by Melbourne composers) - released on Sound Punch Records and launched at Loop, Melbourne; produced with support from Arts Victoria (Music For The Future)

Score composer
ANYONE HOME - Dolby Digital 5.1 score to video short by Rosemary Dean
WE GOTTA GET OUTTA THIS PLACE - Dolby Digital 5.1 score to digital animation by Phillipa Murray
BUGS ALIVE! - short score commissioned by the Museum of Melbourne

Sound designer
STATION PIER - commissioned by the Immigration Museum of Melbourne

Writer
100 MODERN SOUNDTRACKS - book on film scores & sound design, commissioned by the British Film Institute, London
"Dumb About Japan" - Mesh, No.17, Melbourne
"Osamu Tezuka & Astro Boy" - notes to DVD box set of the 1980 colour ASTRO BOY, released in special edition by Madman Entertainment, Melbourne, 2004 (revised and adapted from the 1995 Melbourne International Film Festival catalogue introduction)
"Legions in the Ceiling" - UN, No.2, Melbourne
"Picture Perfect Political Art" - UN, No.1, Melbourne
"My Dreadful Failure as an Australian Filmmaker" - Spinach7, No.3, Melbourne
"The City is a Sewer" - complete unedited version reprinted in catalogue for Callum Morton's "More Talk About Buildings & Mood", MCA Publications, Sydney
"I Am Van Helsing" - catalogue essay for ESCAPE OPTION, Westspace, Melbourne
"Wire: Cinesonic" - review column on film soundtracks in The Wire No. 249, London, October

Speaker
"De-sign: Designing Music For Film" - AV Presentation, ACMI Function Room, Melbourne -
supported by Sound Punch Records, ACMI & Arts Victoria (Music For The Future)
"Fashion as Body-Becoming, Post-Cloth, & Inverted Gesture" - Centre for Contemporary Photography, Melbourne, as part of INTERMESH forum on fashion
"How Sound Floats On Land (excerpt)" - BEYOND THE SOUNDTRACK Conference, University of Minnesota, Minneapolis
"FLUORESCENT & other fucked-up things" - ARTEXPRESS, Art Gallery of New South Wales, Sydney
"EVAPORATED MUSIC & the Abject in Pop Music" - Queensland Art Gallery, Brisbane; Musashino Art University, Tokyo; Kyushu Institute of Design, Fukuoka
"EVAPORATED MUSIC, Revoicing & Gendered Vocalization" - University of New South Wales, Sydney
"THE BODY MALLEABLE & the Myth of Interactivity" - Digit04 Conference on Design, Sydney; ATOM conference, Melbourne; ACMI, Melbourne

Logo design
Fluorescent (project)
Descore (project)
Design (project)

Decomposition (CD)

Also
* EVAPORATED MUSIC I (a-c) (stereo version) exhibited in VIDEO HITS, Queensland Art Gallery, Brisbane
* EVAPORATED MUSIC I (c+d) (stereo version) tours in I THOUGHT I KNEW BUT I WAS WRONG - NEW VIDEO ART FROM AUSTRALIA, Jamjuree Gallery & Chulalongkorn University Gallery, Bangkok; Beijing Millenium Monument (MAAP)
* Participant in National Gallery of Victoria/Australian Centre of the Moving Image
Colloquium in the development of the "2004" joint-exhibition @ NGV/ACMI, Melbourne
* Designer/presenter of short course on composing for film, AFTRS, Sydney
* Panel member for assessment of City Of Melbourne Arts Projects grants
* Guest lecturer at VCA Film & TV, Melbourne; VCA Music, Melbourne
* Recipient of funding from Arts Victoria (Music For The Future) toward staging the DESIGN AV presentation and the DESCORE film/music events at the Australian Centre of the Moving Image, Melbourne, and the DECOMPOSITION compilation CD launch at Loop, Melbourne
* Recipient of funding from Australian Film Commission (Strand X) for production of THE SOUND OF MILK (Prologue) digital short
* Recipient of funding from Asia Link for an arts residency in Japan (Tokyo/Osaka/Kobe/Fukuoka)

Interviewed
Age, Melbourne: DESIGN and DESCORE sound-design/film-music events
Dublin Times: 100 MODERN SOUNDTRACKS book
ABC Radio National: 100 MODERN SOUNDTRACKS book
Insider: profile
Fiend: profile
Sydney Morning Herald: on Hayao Miyazaki

2003

Live performer & director
BEAUTIFUL CYBORG 2 (live 4-channel surround score to edited compilation of anime) - 1st Adelaide International Film Festival, Adelaide

Live performer
THE PLANETS - First Floor, Melbourne; Revolver, Melbourne
THE CAVERN OF DEEP TONES (quadraphonic version) - LIQUID ARCHITECTURE 4, Brisbane Powerhouse, Brisbane
VOICELESS - VARIABLE RESISTANCE 4, Westspace, Melbourne
SECRET ACTS BEHIND 4 WALLS by Ph2 - SOFT & HARD, E2A4, Melbourne
Live score by Ph2 to Dominic Redfern's "Smoke Screen" - PHANTOM IMAGE 2, Public Office, Melbourne
Live score to Dominic Redfern's "Glitch" - PHANTOM IMAGE 1, E2A4, Melbourne

Music producer, co-writer & performer
CD album ROCK for HONEYSMACK - released by Smelly/Shock Records

Sound designer & score composer
HOUSE SECRETS - series of interactive commissioned by the Museum of Melbourne for the Scienceworks, Melbourne
GAS - muzak for sculptural installation by Callum Morton, premiered at the Museum of Contemporary Art, Sydney

Writer
"The Animation Of Sound" - edited version reprinted in "Movie Music: The Film Reader", Routledge, New York
"Wire: Cinesonic" - review column on film soundtracks in The Wire No. 231, London, May
CD notes for HONEYSMACK's ROCK CD, Smelly/Shock Records
"Celluloid Symphony" - Beomag (The Bang & Olufsen Magazine), Winter 2003, Melbourne
"Noise Factory" - Beomag (The Bang & Olufsen Magazine), Winter 2003, Melbourne
"Oooh You're Hot" - catalogue essay for Chris Langton exhibition, Tolarno Gallery, Melbourne
"Burnt In Burnt Out" - catalogue essay for Phip Murray animation, ABC Strange Attractors national website/gallery
"The City is a Sewer" - catalogue essay (edited) for Callum Morton, part of the FACE UP exhibition of contemporary Australian Art, Hamburger Bahnhof, Berlin

Speaker
"Manga as Art" - Art Gallery of New South Wales, in conjunction with THE BEAUTY OF TRANSIENCE IN JAPANESE ART, Sydney
"Rock Stars & Fag Hags - Art & Pop Music" - Museum of Contemporary Art, Sydney
"Sounds of Sex & Violence" - Adelaide International Film Festival, Adelaide
"I Am Robot & Proud" - Australian Centre for the Moving Image, Melbourne

Also
* EVAPORATED MUSIC (a-c) (Dolby Digital DVD short) exhibited in VIDEO STORE at Foxy Gallery, New York; screened in the Adelaide International Film Festival; exhibited in TREATMENT at the Institute for Modern Art, Brisbane
* ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
* APRA/AGSC Judge

Interviewed
Radio National: on Osamu Tezuka
The Age: on Hayao Miyazaki
Metro: on film scores & sound design

2002

Script writer
THE SOUND OF MILK (feature) - 6th draft with script editors Monica Zetlin & Rosemary Dean

Director & producer
video clip: GIVE ME LIBERTY by HONEYSMACK (video short on Zomba Records)

Live performer & director
BEAUTIFUL CYBORG 2 (live quadraphonic surround score to edited compilation of anime) - for Japanime 2, Sydney & Melbourne
BEAUTIFUL CYBORG 1 (live quadraphonic surround score to edited compilation of anime) -co-composed and performed with Francois Tetaz & Darrin Verhagen - Kino Cinema, Melbourne

Music releases
FILMMUSIC Vol.1 (writer, performer, mix & production) - CD released on Sound Punch
JANET LEIGH (DEAD) by Ph2 (co-writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
BEAUTIFUL CYBORG 1 by Philip Brophy, Francois Tetaz & Darrin Verhagen (co-writer, performer, co-mix & co-production) - CD released in Dolby Surround on Sound Punch

Music producer, co-writer & performer
CD single GIVE ME LIBERTY for HONEYSMACK - released by Zomba Records
CD single DANCE for HONEYSMACK - released by Zomba Records

Sound designer & score composer
WHISPERING IN THE DARK (16mm short) - directed by Lynne B. Williams & produced by Aida Innocente; funded by AFC & Cinemedia; premiered at St.Kilda Film Festival

Writer
"Sound: George Lucas' Star Wars Ep.2'" - Film Comment Vol.38 No.4, New York
"Wire: Cinesonic" - review column on film soundtracks in The Wire No. 226, London, December 2002
"Sound:'Furi Kuri'" - Film Comment Vol.38 No.6, New York
"Baby You're The Right Kind of Wrong - Pop Music, Cinema & Other Holes" - Photofile No.66, Sydney
"Vinyl Fantasy" Gloss No.4, Melbourne
CD notes for Lazy's MICROSONICS CD, Doctor Jim Records
Exhibition notes for Vanessa Sowerwine's PLAY WITH ME, Centre of Contemporary Photography, Melbourne
"Sonic Occupancy: A Brief Walk Through Sampling, Sensation & Space" - reprinted in Red No.1, Australian Centre for Contemporary Art, Melbourne
"John Zorn Interview" - reprinted in Cartoon Music, edited by Daniel Goldmark & Yuval Talor, A Capella, New York (original version in "KABOOM: Explosive Animation from America & Japan" - book published by Museum of Contemporary Art Publications, Sydney, 1994)

Speaker
"Noise & Conduction (With Passing Reference To The Absence Of Ideas In Australian Cinema)" - Australian Screen Directors Association conference, Sydney

Also
* EVAPORATED MUSIC (a-c) (Dolby Digital DVD short independently funded) screened LIQUID ARCHITECTURE 3, Treasury Theatre, Melbourne; SCREEN LIFE - Videos From Australia, Museo Nacional Centro de Arte, Reina Sofia, Spain & Govett-Brewster Art Gallery, New Zealand
* BODY MELT screens as part of SCREEN LIFE - Videos From Australia, Museo Nacional Centro de Arte, Reina Sofia, Spain & Govett-Brewster Art Gallery, New Zealand
* ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
* Recipient of funding from the Digital Arts Fund through Cinemedia for development of THE BODY MALLEABLE interactive animation

2001

Script writer
THE SOUND OF MILK (feature) - 4th draft with script editor Monica Zetlin, & readers Kim Gyngell & Alice Garner; funded by Film Victoria

Live performer, co-composer & director
BEAUTIFUL CYBORG 1 (live quadraphonic surround score to edited compilation of anime) -co-composed and performed with Francois Tetaz & Darrin Verhagen for the 50th Melbourne International Film Festival

Sound designer & score composer
ESCAPE FROM ANDRAXUS - 6 channel soundtrack commissioned by the Museum of Melbourne for the Melbourne Planetarium, Scienceworks, Melbourne
BLOW (16mm short) - directed by Marie Craven & produced by Lizzette Atkins; funded by AFC & Cinemedia; premiered at 50th Melbourne International Film Festival
LAUNCH PAD - 6 channel soundtrack commissioned by the Museum of Melbourne for the Melbourne Planetarium, Scienceworks, Melbourne

Conference director
CINESONIC - 4th International Conference On Film Scores & Sound Design - Treasury Theatre, Melbourne

Writer
"Funny Accents: The Sound of Racism" - CINESONIC: Experiencing The Soundtrack, AFTRS Publishing, Sydney
"In Memoriam: Jack Nitzsche" - CINESONIC: Experiencing The Soundtrack, AFTRS Publishing, Sydney
"Cinesonics: Bring It On" - Real Time No.41, Sydney
"Cinesonics: Cast Away" - Real Time No.42, Sydney
"Cinesonics: Crazy" - Real Time No.43, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"Local Noise: Australian Film Sound & Music" - Metro No.127, Melbourne
"Pale Glitter - Fat Sound" - catalogue essay for exhibition NONE MORE BLACKER, 200 Gertrude Street, Melbourne
"Suburbia" - CD notes for the Underground Lovers' MALLBOY soundtrack CD, Silvertone Records
"Techno Collapse - Sound in the Age of Mechanical Malfunction" - Like No.15, Melbourne

Editor
CINESONIC: Experiencing The Soundtrack - AFTRS Publishing, Sydney (collected essays/ talks/interviews from CINESONIC 3rd International Conference On Film Scores & Sound Design)
Guest editor for special Sound Art issue - Like No.15, Melbourne

Speaker
"Body Mats & Super Slams: Sport, Sound & Violence" - CINESONIC 4th International Conference on Films Scores & Sound Design, Treasury Theatre, Melbourne
"Sound & Music in Film" - 3rd Indigenous Narrative Initiative, Australian Film Commission, Sydney
"Door Bitches, Nymphomaniacs, Interior Decorators & Other Curators" - curatorial Lab, Ian Potter Gallery, Melbourne

Logo design
Honeysmack (project)

Also
* Recipient of funding from City Of Melbourne + Cinemedia + the Australian Film Commission for CINESONIC 4th International Conference On Film Scores & Sound Design
* Recipient of funding from Film Victoria / Cinemedia for script development of THE SOUND OF MILK
* Panel member for assessment of City Of Melbourne Festivals grants
* Advisory Board member, Like magazine, Melbourne

Interviewed
Meanjin: profile
Radio National: on urine

2000

Concept-director, sound designer & composer
EVAPORATED MUSIC (a-b) (Dolby Digital video short independently funded) exhibited in stereo as part of RENT at Overgaden Gallery; Copenhagen & the Australian Centre for Contemporary Art, Melbourne
EVAPORATED MUSIC (a-c) presented as work-in-progress in 4 channel sound projection at the Australian Centre for Contemporary Art, Melbourne
EVAPORATED MUSIC (c) (Dolby Digital video short independently funded) exhibited in stereo as part of LIBERTY, RMIT Gallery, Melbourne

Live performer
Live drum&bass remix version of THE CAVERN OF DEEP TONES (Australian Centre for Contemporary Art; The Lounge, Melbourne)
LAZY3 (Australian Centre for Contemporary Art, Melbourne)

Music producer
Film score by The Underground Lovers for MALLBOY
Promo CD single for HONEYSMACK: I WANT YOU (unreleased)
Exhibition CD single for Martine Corompt's WILD BOY exhibition, Centre for Contemporary Photography, Melbourne

Sound designer, score producer & music supervisor
MALLBOY (35mm Dolby Stereo feature) - directed by Vince Giarrusso & produced by Fiona Eagger; funded by AFC & SBS; premiered at the 49th Melbourne International Film Festival

Curator
A LUST FOR VIOLENCE - Seijun Suzuki (retrospective) - 49th Melbourne International Film Festival

Conference director
CINESONIC - 3rd International Conference On Film Scores & Sound Design - Capitol Theatre & Treasury Theatre, Melbourne

Writer
"Please - No More Boring Video Art" - Like No.8, Melbourne
"The Scent of Pacino" - Senses of Cinema No.6, Melbourne
"In Memoriam: Jack Nitzsche" - Senses of Cinema No.9, Melbourne & APRAP December
"Seijin Suzuki: A Lust for Violence - Suzuki overview & screening notes" - 49th Melbourne International Film Festival catalogue
"Sonic Occupancy: A Brief Walk Through Sampling, Sensation & Space" - special RENT issue of Ojeblikket, #3, Vol.10, Copenhagen
"Monster Island: Godzilla & Japanese sci-fi/horror/fantasy" - Postcolonial Studies, Vol.3, No.1, London
"Mayhem, Magic & Maelstroms - the Animation of Studio Ghibli"- reprinted in the catalogue to the 23rd New Zealand International Film Festival, Dunedin
"Cinesonics: Walking With Dinosaurs" - Real Time No.35, Sydney
"Cinesonics: Magnolia" - Real Time No.36 & 37 (two parts), Sydney
"Cinesonics: The Straight Story" - Real Time No.38, Sydney
"Cinesonics: The Virgin Suicides" - Real Time No.40, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"How Sound Floats On Land" - CINESONIC: Cinema & The Sound of Music, AFTRS Publishing, Sydney
"Being There" - catalogue for Dominic Redfern's BEING THERE, 200 Gertrude Street, Melbourne
"Horrality - The Textuality of the Contemporary Horror Film" - reprinted in The Horror Reader, edited by Ken Gelder, Routledge, London

Editor
CINESONIC: Cinema & the Sound of Music - AFTRS Publishing, Sydney (collected essays/talks/interviews from CINESONIC 2nd International Conference On Film Scores & Sound Design)

Speaker
"Techno Collapse - Sound in the Age of Mechanical Malfunction" - delivered as part of the FLUXUS retrospective @ RMIT Gallery, Melbourne
Opening address for Cindy Sherman's OFFICE KILLER, George Cinemas, Melbourne
"Osamu Tezuka's Manga" - Japanime Festival, Sydney
"Funny Accents: The Sound of Racism" - CINESONIC 3rd International Conference on Films Scores & Sound Design, Capitol Theatre & Treasury Theatre, Melbourne

Also
*Recipient of funding from City Of Melbourne + Cinemedia + the Australian Film Commission for CINESONIC 3rd International Conference on Films Scores & Sound Design
*Soundtrack consultancy report commissioned by Cinemedia
*ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
*Panel discussion on Academic vs. Pop Music, SONIC RESIDUE 2, Australian Centre for Contemporary Art

Interviewed
ABC Arts Show: on FLUXUS
Radio National: on music in films
Brisbane Courier Mail: on Japanese animation & POKEMON
The Australian: on Japanese animation

1999

Music release
THE CAVERN OF DEEP TONES (writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (co-writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
ONE LARGE MAGNETIC CARTRIDGE by LAZY3 (co-writer, performer, mix & production) - CD released on Sound Punch

Live performer
collaboration with LAZY officially reformed into the trio LAZY3 (The Continental, Australian Centre for Contemporary Art, The Punter's Club, the Percy Grainger Museum)
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (The Continental, The Punter's Club (both in stereo version); the Percy Grainger Museum (outdoor quadraphonic presentation)
JANET LEIGH (DEAD) by Ph2 (Australian Centre for Contemporary Art, Anna Schwartz Gallery)
Collaboration with HONEYSMACK (Revolver Upstairs - tracks released on the Honeysmack CD FLICK BUBBLE)
Collaboration between Ph2 + Honeysmack as Phoneysmack (Laundry)
Live score to Dominic Redfern's "Smoke Screen" - VIDEOSONIC, ALT-TV screen, Melbourne

Live presentation
"Swarm" (excerpt from THE CAVERN OF DEEP TONES) - presented in Dolby Digital as part of IMMERSION, Treasury Theatre, Melbourne

Director & producer
video clip: WALK ON ACID by HONEYSMACK (video short on Smelly Records)

Conference director
CINESONIC - 2nd International Conference On Film Scores & Sound Design - RMIT, Melbourne

Writer
"Being Blind: A Polemical Manual for Using New Audiovisual Technologies" - Iris No.27 - special issue on the state of sound studies, Paris
"The Birds: The Triumph of Noise Over Music" - Essays In Sound No.4, Sydney
"Cinesonics: Something About Mary, Velvet Goldmine, The Boys, Vampires + Boogies Nights" - Real Time No.29, Sydney
"Cinesonics: Neon Genesis Evangelion" - Real Time No.31, Sydney
"Cinesonics: I Stand Alone + Run Lola Run" - Real Time No.32, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"I Scream In Silence - Cinema, Sex & The Sound Of Women Dying" - CINESONIC: The World of Sound in Film, AFTRS Publishing, Sydney
CD notes for the HONEYSMACK's FLICK BUBBLE CD
"Empty" - catalogue for Glen Sloggett's EMPTY,Centre of Contemporary Art, Melbourne

Editor
CINESONIC: The World of Sound in Film - AFTRS Publishing, Sydney (collected essays/talks/interviews from CINESONIC 1st International Conference On Film Scores & Sound Design)

Speaker
"How Sound Floats On Land" - CINESONIC - 2nd International Conference On Film Scores & Sound Design, RMIT, Melbourne
"The Rising Sun Set: The West's Fascination with Japan", panel discussion, The Melbourne Writer's Festival, Melbourne
"Re-inventing Tradition and Reverence for the Superficial", Asian Arts Society forum, Caulfield Arts Centre, Melbourne
"Dolby Stereo & issues of sound and silence in recordable space" - Immersion, Treasury Theatre, Melbourne

Interviewed
Radio National: on orchestral film scores
The Age, Melbourne: on Japanese manga & animation
The Courier, Brisbane: on Japanese manga & animation
Radio National: on sound design
The Age, Melbourne: on sound design
The Sydney Morning Herald, Sydney: on sound design

Also
* Recipient of funding from City Of Melbourne, Cinemedia + the Australian Film Commission for CINESONIC - 2nd International Conference On Film Scores & Sound Design

1998

Sound designer & score composer
PARADISE (16mm short) - directed by Illana Schulman & produced by Lizzette Atkins; funded by AFC & Cinemedia; premiered at the 47th Melbourne International Film Festival

Live performer
collaboration with
LAZY (Dave Brown & Sean Baxter - see LAZY3) - (Sub Terrain, The Public Bar)
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (Art Gallery of New South Wales, Australian Centre for Contemporary Art (both in quadraphonic version); Revolver Upstairs, Slappo's (both in stereo version))

Music producer