Speaker
"De-sign: Designing Music For Film" - AV Presentation, ACMI Function Room, Melbourne - supported by Sound Punch Records, ACMI & Arts Victoria (Music For The Future)
"Fashion as Body-Becoming, Post-Cloth, & Inverted Gesture" - Centre for Contemporary Photography, Melbourne, as part of INTERMESH forum on fashion
"How Sound Floats On Land (excerpt)" - BEYOND THE SOUNDTRACK Conference, University of Minnesota, Minneapolis
"FLUORESCENT & other fucked-up things" - ARTEXPRESS, Art Gallery of New South Wales, Sydney
"EVAPORATED MUSIC & the Abject in Pop Music" - Queensland Art Gallery, Brisbane; Musashino Art University, Tokyo; Kyushu Institute of Design, Fukuoka
"EVAPORATED MUSIC, Revoicing & Gendered Vocalization" - University of New South Wales, Sydney
"THE BODY MALLEABLE & the Myth of Interactivity" - Digit04 Conference on Design, Sydney; ATOM conference, Melbourne; ACMI, Melbourne

Logo design
Fluorescent (project)
Descore (project)
Design (project)
Decomposition (CD)

Also
* EVAPORATED MUSIC I (a-c) (stereo version) exhibited in VIDEO HITS, Queensland Art Gallery, Brisbane
* EVAPORATED MUSIC I (c+d) (stereo version) tours in I THOUGHT I KNEW BUT I WAS WRONG - NEW VIDEO ART FROM AUSTRALIA, Jamjuree Gallery & Chulalongkorn University Gallery, Bangkok; Beijing Millenium Monument (MAAP)
* Participant in National Gallery of Victoria/Australian Centre of the Moving ImageColloquium in the development of the "2004" joint-exhibition @ NGV/ACMI, Melbourne
* Designer/presenter of short course on composing for film, AFTRS, Sydney
* Panel member for assessment of City Of Melbourne Arts Projects grants
* Guest lecturer at VCA Film & TV, Melbourne; VCA Music, Melbourne
* Recipient of funding from Arts Victoria (Music For The Future) toward staging the DESIGN AV presentation and the DESCORE film/music events at the Australian Centre of the Moving Image, Melbourne, and the DECOMPOSITION compilation CD launch at Loop, Melbourne
* Recipient of funding from Australian Film Commission (Strand X) for production of THE SOUND OF MILK (Prologue) digital short
* Recipient of funding from Asia Link for an arts residency in Japan (Tokyo/Osaka/Kobe/Fukuoka)

Interviewed
Age, Melbourne: DESIGN and DESCORE sound-design/film-music events
Dublin Times: 100 MODERN SOUNDTRACKS book
ABC Radio National: 100 MODERN SOUNDTRACKS book
Insider: profile
Fiend: profile
Sydney Morning Herald: on Hayao Miyazaki

Live performer & director
BEAUTIFUL CYBORG 2 (live 4-channel surround score to edited compilation of anime) - 1st Adelaide International Film Festival, Adelaide

Live performer
THE PLANETS - First Floor, Melbourne; Revolver, Melbourne
THE CAVERN OF DEEP TONES (quadraphonic version) - LIQUID ARCHITECTURE 4, Brisbane Powerhouse, Brisbane
VOICELESS - VARIABLE RESISTANCE 4, Westspace, Melbourne
SECRET ACTS BEHIND 4 WALLS by Ph2 - SOFT & HARD, E2A4, Melbourne
Live score by Ph2 to Dominic Redfern's "Smoke Screen" - PHANTOM IMAGE 2, Public Office, Melbourne
Live score to Dominic Redfern's "Glitch" - PHANTOM IMAGE 1, E2A4, Melbourne

Music producer, co-writer & performer
CD album ROCK for HONEYSMACK - released by Smelly/Shock Records

Sound designer & score composer
HOUSE SECRETS - series of interactive commissioned by the Museum of Melbourne for the Scienceworks, Melbourne
GAS - muzak for sculptural installation by Callum Morton, premiered at the Museum of Contemporary Art, Sydney

Writer
"The Animation Of Sound" - edited version reprinted in "Movie Music: The Film Reader", Routledge, New York
"Wire: Cinesonic" - review column on film soundtracks in The Wire No. 231, London, May
CD notes for HONEYSMACK's ROCK CD, Smelly/Shock Records
"Celluloid Symphony" - Beomag (The Bang & Olufsen Magazine), Winter 2003, Melbourne
"Noise Factory" - Beomag (The Bang & Olufsen Magazine), Winter 2003, Melbourne
"Oooh You're Hot" - catalogue essay for Chris Langton exhibition, Tolarno Gallery, Melbourne
"Burnt In Burnt Out" - catalogue essay for Phip Murray animation, ABC Strange Attractors national website/gallery
"The City is a Sewer" - catalogue essay (edited) for Callum Morton, part of the FACE UP exhibition of contemporary Australian Art, Hamburger Bahnhof, Berlin

Speaker
"Manga as Art" - Art Gallery of New South Wales, in conjunction with THE BEAUTY OF TRANSIENCE IN JAPANESE ART, Sydney
"Rock Stars & Fag Hags - Art & Pop Music" - Museum of Contemporary Art, Sydney
"Sounds of Sex & Violence" - Adelaide International Film Festival, Adelaide
"I Am Robot & Proud" - Australian Centre for the Moving Image, Melbourne

Also
* EVAPORATED MUSIC (a-c) (Dolby Digital DVD short) exhibited in VIDEO STORE at Foxy Gallery, New York; screened in the Adelaide International Film Festival; exhibited in TREATMENT at the Institute for Modern Art, Brisbane
* ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
* APRA/AGSC Judge

Interviewed
Radio National: on Osamu Tezuka
The Age: on Hayao Miyazaki
Metro: on film scores & sound design

2002

Script writer
THE SOUND OF MILK (feature) - 6th draft with script editors Monica Zetlin & Rosemary Dean

Director & producer
video clip: GIVE ME LIBERTY by HONEYSMACK (video short on Zomba Records)

Live performer & director
BEAUTIFUL CYBORG 2 (live quadraphonic surround score to edited compilation of anime) - for Japanime 2, Sydney & Melbourne
BEAUTIFUL CYBORG 1 (live quadraphonic surround score to edited compilation of anime) -co-composed and performed with Francois Tetaz & Darrin Verhagen - Kino Cinema, Melbourne

Music releases
FILMMUSIC Vol.1 (writer, performer, mix & production) - CD released on Sound Punch
JANET LEIGH (DEAD) by Ph2 (co-writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
BEAUTIFUL CYBORG 1 by Philip Brophy, Francois Tetaz & Darrin Verhagen (co-writer, performer, co-mix & co-production) - CD released in Dolby Surround on Sound Punch

Music producer, co-writer & performer
CD single GIVE ME LIBERTY for HONEYSMACK - released by Zomba Records
CD single DANCE for HONEYSMACK - released by Zomba Records

Sound designer & score composer
WHISPERING IN THE DARK (16mm short) - directed by Lynne B. Williams & produced by Aida Innocente; funded by AFC & Cinemedia; premiered at St.Kilda Film Festival

Writer
"Sound: George Lucas' Star Wars Ep.2'" - Film Comment Vol.38 No.4, New York
"Wire: Cinesonic" - review column on film soundtracks in The Wire No. 226, London, December 2002
"Sound:'Furi Kuri'" - Film Comment Vol.38 No.6, New York
"Baby You're The Right Kind of Wrong - Pop Music, Cinema & Other Holes" - Photofile No.66, Sydney
"Vinyl Fantasy" Gloss No.4, Melbourne
CD notes for Lazy's MICROSONICS CD, Doctor Jim Records
Exhibition notes for Vanessa Sowerwine's PLAY WITH ME, Centre of Contemporary Photography, Melbourne
"Sonic Occupancy: A Brief Walk Through Sampling, Sensation & Space" - reprinted in Red No.1, Australian Centre for Contemporary Art, Melbourne
"John Zorn Interview" - reprinted in Cartoon Music, edited by Daniel Goldmark & Yuval Talor, A Capella, New York (original version in "KABOOM: Explosive Animation from America & Japan" - book published by Museum of Contemporary Art Publications, Sydney, 1994)

Speaker
"Noise & Conduction (With Passing Reference To The Absence Of Ideas In Australian Cinema)" - Australian Screen Directors Association conference, Sydney

Also
* EVAPORATED MUSIC (a-c) (Dolby Digital DVD short independently funded) screened LIQUID ARCHITECTURE 3, Treasury Theatre, Melbourne; SCREEN LIFE - Videos From Australia, Museo Nacional Centro de Arte, Reina Sofia, Spain & Govett-Brewster Art Gallery, New Zealand
* BODY MELT screens as part of SCREEN LIFE - Videos From Australia, Museo Nacional Centro de Arte, Reina Sofia, Spain & Govett-Brewster Art Gallery, New Zealand
* ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
* Recipient of funding from the Digital Arts Fund through Cinemedia for development of THE BODY MALLEABLE interactive animation

2001

Script writer
THE SOUND OF MILK (feature) - 4th draft with script editor Monica Zetlin, & readers Kim Gyngell & Alice Garner; funded by Film Victoria

Live performer, co-composer & director
BEAUTIFUL CYBORG 1 (live quadraphonic surround score to edited compilation of anime) -co-composed and performed with Francois Tetaz & Darrin Verhagen for the 50th Melbourne International Film Festival

Sound designer & score composer
ESCAPE FROM ANDRAXUS - 6 channel soundtrack commissioned by the Museum of Melbourne for the Melbourne Planetarium, Scienceworks, Melbourne
BLOW (16mm short) - directed by Marie Craven & produced by Lizzette Atkins; funded by AFC & Cinemedia; premiered at 50th Melbourne International Film Festival
LAUNCH PAD - 6 channel soundtrack commissioned by the Museum of Melbourne for the Melbourne Planetarium, Scienceworks, Melbourne

Conference director
CINESONIC - 4th International Conference On Film Scores & Sound Design - Treasury Theatre, Melbourne

Writer
"Funny Accents: The Sound of Racism" - CINESONIC: Experiencing The Soundtrack, AFTRS Publishing, Sydney
"In Memoriam: Jack Nitzsche" - CINESONIC: Experiencing The Soundtrack, AFTRS Publishing, Sydney
"Cinesonics: Bring It On" - Real Time No.41, Sydney
"Cinesonics: Cast Away" - Real Time No.42, Sydney
"Cinesonics: Crazy" - Real Time No.43, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"Local Noise: Australian Film Sound & Music" - Metro No.127, Melbourne
"Pale Glitter - Fat Sound" - catalogue essay for exhibition NONE MORE BLACKER, 200 Gertrude Street, Melbourne
"Suburbia" - CD notes for the Underground Lovers' MALLBOY soundtrack CD, Silvertone Records
"Techno Collapse - Sound in the Age of Mechanical Malfunction" - Like No.15, Melbourne

Editor
CINESONIC: Experiencing The Soundtrack - AFTRS Publishing, Sydney (collected essays/ talks/interviews from CINESONIC 3rd International Conference On Film Scores & Sound Design)
Guest editor for special Sound Art issue - Like No.15, Melbourne

Speaker
"Body Mats & Super Slams: Sport, Sound & Violence" - CINESONIC 4th International Conference on Films Scores & Sound Design, Treasury Theatre, Melbourne
"Sound & Music in Film" - 3rd Indigenous Narrative Initiative, Australian Film Commission, Sydney
"Door Bitches, Nymphomaniacs, Interior Decorators & Other Curators" - curatorial Lab, Ian Potter Gallery, Melbourne

Logo design
Honeysmack (project)

Also
* Recipient of funding from City Of Melbourne + Cinemedia + the Australian Film Commission for CINESONIC 4th International Conference On Film Scores & Sound Design
* Recipient of funding from Film Victoria / Cinemedia for script development of THE SOUND OF MILK
* Panel member for assessment of City Of Melbourne Festivals grants
* Advisory Board member, Like magazine, Melbourne

Interviewed
Meanjin: profile
Radio National: on urine

2000

Concept-director, sound designer & composer
EVAPORATED MUSIC (a-b) (Dolby Digital video short independently funded) exhibited in stereo as part of RENT at Overgaden Gallery; Copenhagen & the Australian Centre for Contemporary Art, Melbourne
EVAPORATED MUSIC (a-c) presented as work-in-progress in 4 channel sound projection at the Australian Centre for Contemporary Art, Melbourne
EVAPORATED MUSIC (c) (Dolby Digital video short independently funded) exhibited in stereo as part of LIBERTY, RMIT Gallery, Melbourne

Live performer
Live drum&bass remix version of THE CAVERN OF DEEP TONES (Australian Centre for Contemporary Art; The Lounge, Melbourne)
LAZY3 (Australian Centre for Contemporary Art, Melbourne)

Music producer
Film score by The Underground Lovers for MALLBOY
Promo CD single for HONEYSMACK: I WANT YOU (unreleased)
Exhibition CD single for Martine Corompt's WILD BOY exhibition, Centre for Contemporary Photography, Melbourne

Sound designer, score producer & music supervisor
MALLBOY (35mm Dolby Stereo feature) - directed by Vince Giarrusso & produced by Fiona Eagger; funded by AFC & SBS; premiered at the 49th Melbourne International Film Festival

Curator
A LUST FOR VIOLENCE - Seijun Suzuki (retrospective) - 49th Melbourne International Film Festival

Conference director
CINESONIC - 3rd International Conference On Film Scores & Sound Design - Capitol Theatre & Treasury Theatre, Melbourne

Writer
"Please - No More Boring Video Art" - Like No.8, Melbourne
"The Scent of Pacino" - Senses of Cinema No.6, Melbourne
"In Memoriam: Jack Nitzsche" - Senses of Cinema No.9, Melbourne & APRAP December
"Seijin Suzuki: A Lust for Violence - Suzuki overview & screening notes" - 49th Melbourne International Film Festival catalogue
"Sonic Occupancy: A Brief Walk Through Sampling, Sensation & Space" - special RENT issue of Ojeblikket, #3, Vol.10, Copenhagen
"Monster Island: Godzilla & Japanese sci-fi/horror/fantasy" - Postcolonial Studies, Vol.3, No.1, London
"Mayhem, Magic & Maelstroms - the Animation of Studio Ghibli"- reprinted in the catalogue to the 23rd New Zealand International Film Festival, Dunedin
"Cinesonics: Walking With Dinosaurs" - Real Time No.35, Sydney
"Cinesonics: Magnolia" - Real Time No.36 & 37 (two parts), Sydney
"Cinesonics: The Straight Story" - Real Time No.38, Sydney
"Cinesonics: The Virgin Suicides" - Real Time No.40, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"How Sound Floats On Land" - CINESONIC: Cinema & The Sound of Music, AFTRS Publishing, Sydney
"Being There" - catalogue for Dominic Redfern's BEING THERE, 200 Gertrude Street, Melbourne
"Horrality - The Textuality of the Contemporary Horror Film" - reprinted in The Horror Reader, edited by Ken Gelder, Routledge, London

Editor
CINESONIC: Cinema & the Sound of Music - AFTRS Publishing, Sydney (collected essays/talks/interviews from CINESONIC 2nd International Conference On Film Scores & Sound Design)

Speaker
"Techno Collapse - Sound in the Age of Mechanical Malfunction" - delivered as part of the FLUXUS retrospective @ RMIT Gallery, Melbourne
Opening address for Cindy Sherman's OFFICE KILLER, George Cinemas, Melbourne
"Osamu Tezuka's Manga" - Japanime Festival, Sydney
"Funny Accents: The Sound of Racism" - CINESONIC 3rd International Conference on Films Scores & Sound Design, Capitol Theatre & Treasury Theatre, Melbourne

Also
*Recipient of funding from City Of Melbourne + Cinemedia + the Australian Film Commission for CINESONIC 3rd International Conference on Films Scores & Sound Design
*Soundtrack consultancy report commissioned by Cinemedia
*ARIA Judge: Best Soundtrack, ARIA Awards, Sydney
*Panel discussion on Academic vs. Pop Music, SONIC RESIDUE 2, Australian Centre for Contemporary Art

Interviewed
ABC Arts Show: on FLUXUS
Radio National: on music in films
Brisbane Courier Mail: on Japanese animation & POKEMON
The Australian: on Japanese animation

1999

Music release
THE CAVERN OF DEEP TONES (writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (co-writer, performer, mix & production) - CD released in Dolby Surround on Sound Punch
ONE LARGE MAGNETIC CARTRIDGE by LAZY3 (co-writer, performer, mix & production) - CD released on Sound Punch

Live performer
collaboration with LAZY officially reformed into the trio LAZY3 (The Continental, Australian Centre for Contemporary Art, The Punter's Club, the Percy Grainger Museum)
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (The Continental, The Punter's Club (both in stereo version); the Percy Grainger Museum (outdoor quadraphonic presentation)
JANET LEIGH (DEAD) by Ph2 (Australian Centre for Contemporary Art, Anna Schwartz Gallery)
Collaboration with HONEYSMACK (Revolver Upstairs - tracks released on the Honeysmack CD FLICK BUBBLE)
Collaboration between Ph2 + Honeysmack as Phoneysmack (Laundry)
Live score to Dominic Redfern's "Smoke Screen" - VIDEOSONIC, ALT-TV screen, Melbourne

Live presentation
"Swarm" (excerpt from THE CAVERN OF DEEP TONES) - presented in Dolby Digital as part of IMMERSION, Treasury Theatre, Melbourne

Director & producer
video clip: WALK ON ACID by HONEYSMACK (video short on Smelly Records)

Conference director
CINESONIC - 2nd International Conference On Film Scores & Sound Design - RMIT, Melbourne

Writer
"Being Blind: A Polemical Manual for Using New Audiovisual Technologies" - Iris No.27 - special issue on the state of sound studies, Paris
"The Birds: The Triumph of Noise Over Music" - Essays In Sound No.4, Sydney
"Cinesonics: Something About Mary, Velvet Goldmine, The Boys, Vampires + Boogies Nights" - Real Time No.29, Sydney
"Cinesonics: Neon Genesis Evangelion" - Real Time No.31, Sydney
"Cinesonics: I Stand Alone + Run Lola Run" - Real Time No.32, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column
"I Scream In Silence - Cinema, Sex & The Sound Of Women Dying" - CINESONIC: The World of Sound in Film, AFTRS Publishing, Sydney
CD notes for the HONEYSMACK's FLICK BUBBLE CD
"Empty" - catalogue for Glen Sloggett's EMPTY,Centre of Contemporary Art, Melbourne

Editor
CINESONIC: The World of Sound in Film - AFTRS Publishing, Sydney (collected essays/talks/interviews from CINESONIC 1st International Conference On Film Scores & Sound Design)

Speaker
"How Sound Floats On Land" - CINESONIC - 2nd International Conference On Film Scores & Sound Design, RMIT, Melbourne
"The Rising Sun Set: The West's Fascination with Japan", panel discussion, The Melbourne Writer's Festival, Melbourne
"Re-inventing Tradition and Reverence for the Superficial", Asian Arts Society forum, Caulfield Arts Centre, Melbourne
"Dolby Stereo & issues of sound and silence in recordable space" - Immersion, Treasury Theatre, Melbourne

Interviewed
Radio National: on orchestral film scores
The Age, Melbourne: on Japanese manga & animation
The Courier, Brisbane: on Japanese manga & animation
Radio National: on sound design
The Age, Melbourne: on sound design
The Sydney Morning Herald, Sydney: on sound design

Also
* Recipient of funding from City Of Melbourne, Cinemedia + the Australian Film Commission for CINESONIC - 2nd International Conference On Film Scores & Sound Design

1998

Sound designer & score composer
PARADISE (16mm short) - directed by Illana Schulman & produced by Lizzette Atkins; funded by AFC & Cinemedia; premiered at the 47th Melbourne International Film Festival

Live performer
collaboration with LAZY (Dave Brown & Sean Baxter - see LAZY3) - (Sub Terrain, The Public Bar)
BIONIC BLUE BUBBLEGUM SLURPEE by Ph2 (Art Gallery of New South Wales, Australian Centre for Contemporary Art (both in quadraphonic version); Revolver Upstairs, Slappo's (both in stereo version))

Music producer
Studio sessions for collaboration between Philip Brophy & LAZY (Dave Brown & Sean Baxter - see LAZY3)

Curator
FUNKY! FOXY! FREAKY! Blaxploitation retrospective - 47th Melbourne International Film Festival

Conference director
CINESONIC - 1st International Conference On Film Scores & Sound Design - RMIT, Melbourne

Writer
"Mayhem, Magic & Maelstroms - the animation of Studio Ghibli" - incorporated into the Asian Shadows Film Festival, UCLA, Los Angeles
"Funky! Freaky! Foxy! Blaxploitation" - 47th Melbourne International Film Festival catalogue
"Dark Plastic: The Art of Maria Kozic" - Free Life WIth Franchise, Mambo Publications, Sydney
"Hope You Die Before I Get Old" - Like No. 5, Melbourne
"Honkies Respond To Bass" - The Wire No.167, January, London
"The Academy Of Peril" - The Wire No. 168, February, London
"Cat Scratch Fever" - The Wire No. 169, March, London
"Blood Music" - The Wire No. 170, April, London
"Remapping Recordings" - The Wire No. 171, May, London
"Emotional Blackmail" - The Wire No. 172, June, London
"Muzak For Films & Airports" - The Wire No. 173, July, London "Sex, Sex, Sex" - The Wire No. 174, August, London
All Wire articles are part of the Secret History of Film Music monthly series
"Cinesonics: Contact" - Real Time No.24, Sydney
"Cinesonics: Lost In Space" - Real Time No.25, Sydney
"Cinesonics: Doctor Dolittle" - Real Time No.26, Sydney
"Cinesonics: Armageddon" - Real Time No.27, Sydney
"Cinesonics: The Truman Show" - Real Time No.28, Sydney
All Real Time articles are part of the Cinesonics bi-monthly column

Speaker
"I Scream In Silence - Sex, Death & The Sound Of Women Dying" - CINESONIC 1st International Conference on Films Scores & Sound Design, RMIT, Melbourne
"Music, HEAT & the soundtracks of Michael Mann" - John Manogios Lecture Series, Kaleide Cinema, Melbourne

Interviewed
JJJ-FM: on blaxploitation cinema
SBS-TV: on blaxploitation cinema
ABC-TV: on film scores & Carter Burwell
Radio National: sound design & film scores
Radio National: on horror & the 25th Anniversary of THE EXORCIST

Also
* Recipient (with Philip Samartzis) of a grant for staging Ph2 concerts of live surround sound, New Media Fund, Australia Council

1997

Sound designer
OTHERZONE (35mm Dolby Stereo short) - directed by David Cox & produced by Sarah Zadeh; funded by AFC & Cinemedia; premiered at the 46th Melbourne International Film Festival

Music producer
Studio sessions for collaboration between LAZY & KK NULL (unreleased)

Live performer
collaboration with LAZY (Dave Brown & Sean Baxter - see LAZY3) (Empress Hotel, Punters Club)
collaboration with HONEYSMACK (Revolver Upstairs)

Curator
MAYHEM MAGIC & MAELSTROMS - Studio Ghibli: Hayao Miyazaki & Isao Takahata (retrospective) - 46th Melbourne International Film Festival

Writer
"Mayhem, Magic & Maelstroms - the animation of Studio Ghibli"- 46th Melbourne International Film Festival catalogue
"J'taime Galaxy Express 999" - programme notes for stage musical version of Reiji Matsumoto's GALAXY EXPRESS 999, Japan
"Digital Art: 4 Manias" - catalogue essay for the exhibition TRICK OR TREAT, 200 Gertrude St, Melbourne
"Ocular Excess: A Morphology Of Cartoon Eyes" - edited version reprinted in Art & Design No.53 (Special Issue: Art & Animation), UK
"Report: Manga & Anime In Australia" - Comickers, June, Tokyo
"Oscillating In Outer Space" - The Wire No.158, April, London
"The Electric Cinema" - The Wire No.160, June, London
"Violent Silences" - The Wire No. 161, July, London
"Once Upon A Time In The East" - The Wire No.162, August, London
"Shatter The Harmony" - The Wire No.164, October, London
"The Rapture of Noise" - The Wire No.165, November, London
"Shafting Hollywood" - The Wire No.166, December, London
All Wire articles are part of the Secret History of Film Music monthly series
"Cinesonics: The Island Of Dr. Moreau" - Real Time No.19, Sydney
"Cinesonics: Lost Highway" - Real Time No.20, Sydney
"Cinesonics: Face/Off" - Real Time No.21, Sydney
"Cinesonics: Michael Jackson's 'Ghosts'" - Real Time No.22, Sydney
"Cinesonics: Surrounded by Sound" - Real Time No.23, Sydney
All Real Time article are part of the Cinesonics bi-monthly column
"Review: 'The Reflective Space'" Like No.2, Melbourne
CD notes for the HONEYSMACK LIVE CD

Speaker
"Punk Art School" - forum in conjunction with the PUNKULTURE exhibition, Performing Arts Museum, Melbourne

Also
* Recipient of a Distinctly Australian Fellowship Scheme, AFC
* Recipient of a Creative Development Funding for actors workshop of DARK SEED, AFC

1996

Script writer
THE SOUND OF MILK (feature)
Reading of DARK SEED funded by SPAA, Malthouse Theatre, Melbourne

Writer
"Op Shop Culture: Aesthetics In Mothballs"- Like No.1, Melbourne

Speaker
"The Body Internal" - Value Added Goods lecture series, Centre for Contemporary Photography

Interviewed
Radio National - Louise Adler: on Violence in the Media
This! CD-ROM magazine: on Japanese animation

Also
* BODY MELT sold thru BEYOND FILMS to Japanese cable TV & Poland
* MAIDENHEAD wins Best Soundtrack in Cracow International Film Festival

1995

Script writer
DARK SEED (feature)

Sound designer
MAIDENHEAD (35mm Dolby Stereo short funded by AFC & FilmVic) - directed by Marie Craven & produced by John Cruthers; funded by AFC & Film Vic; premiered at the 44th Melbourne International Film Festival

Curator
GLIMPSES OF A FANTASTIC IMAGINATION - Osamu Tezuka (retrospective) - 44th Melbourne International Film Festival

Writer
"Osamu Tezuka: Glimpses of A Fantastic Imagination" - 44th Melbourne International Film Festival catalogue & Filmnews No.117, Sydney
"Japanese Animation in the West" - Filmnews No.117, Sydney

Speaker
"Aspects of Sound & Music in Indigenous Cinema" - Indigenous Narrative Drama Initiative, AFC Melbourne
"Spatial Logic & Dimensionality in Film" - Sound In Space, Museum of Contemporary Art, Sydney
"Sonic - Atomic - Neumonic: Apocalyptic Echoes in Japanese Animation" - 2nd International Conference on Animation, Sydney

Interviewed
JJJ-FM: on blaxploitation cinema

Also
* AFC project assessor
* BODY MELT independently distributed by DUMB FILMS & theatrically released in Adelaide
* BODY MELT released domestically on video through 21ST CENTURY

1994

Score composer
ONLY THE BRAVE (16mm featurette) - directed by Ana Kokkinos & produced by Fiona Eagger; funded by AFC & Film Vic; premiered at the 43rd Melbourne International Film Festival

Curator & sound designer
KABOOM: Explosive Animation from America & Japan - Museum of Contemporary Art, Sydney

Editor
"KABOOM: Explosive Animation from America & Japan" - book published by Museum of Contemporary Art Publications, Sydney

Writer
"Ocular Excess: A Morphology Of Cartoon Eyes" - "KABOOM: Explosive Animation from America & Japan", Museum of Modern Art Publications, Sydney

Speaker
"Your Children Are Dead: Assorted Reasons For Making Horror Films" - Australian Centre for Contemporary Art presentation of BODY MELT, State Film Theatre, Melbourne

Interviewed
Phillip Addams' Nightline: on production design in science fiction cinema

Also
* AFC project assessor
* BODY MELT represented by BEYOND FILMS and sold to UK, Ireland, USA, Canada, Japan, France, Mexico, Russia, Greece, Cyprus, India, Singapore & Malaysia
* BODY MELT receives 3 nominations in the 1994 AFI Awards
* BODY MELT independently distributed by DUMB FILMS & theatrically released in Perth & Melbourne
* BODY MELT screened at the Dublin Film Festival; Helsinki Film Festival; Academy Of Sci-Fi & Horror Film Festival, LA.
* SALT SALIVA SPERM & SWEAT screens at ICA, London

1993

Co-writer, director, composer & co-sound designer
BODY MELT (35mm Dolby Stereo feature funded by AFC & FilmVic) - produced by Rod Bishop & Daniel Scharf; funded by AFC & Film Vic; premiered at the 42nd Melbourne International Film Festival

Speaker
Presenter of BODY MELT at the London Film Festival

Writer
"TETSUO II - Mutant Offspring of Mutant Culture" - catalogue essay for Japanese theatrical release of TETSUO II, Japan

Also
* BODY MELT screened at the Sitges Fantasy Film Festival, Barcelona
* SALT SALIVA SPERM & SWEAT screens at Lantern/Venster, Rotterdam; Eldorado, Antwerp; Effenar, Eindhoven; Vera, Groningen; Ekko, Utrecht.

1992

Music release
VIRAL PULSE by MARIA KOZIC & THE MK-SOUND (co-writer, performer, mix & production)

Director & editor
video clip: VIRAL PULSE by MARIA KOZIC & THE MK-SOUND (video short independently funded)

Script writer
BODY MELT (feature - development funding from AFC)

Writer
"Read My Lips" - Continuum Vol.3 No.3, Perth

Speaker
"Apocalyptic Scenarios in Japanese Popular Culture: from GODZILLA to TETSUO" - 41st Melbourne International Film Festival
"Close analysis of the sound design in COLORS" - Sound In The Cinema, Modern Image Makers Association, Linden Gallery, Melbourne

1991

Director & editor
video clip: BITCH by MARIA KOZIC & THE MK-SOUND (video short independently funded)
video clip: INVASION OF THE TEENAGERS by INSTRUMENTLESS (video short independently funded)

Writer
"The Animation Of Sound" - The Illusion Of Life: Essays On Animation, Power Publications, Sydney

Speaker
"Illiterature" - Australian Script writers' Conference
"Virtual Reality, Cyberspace & Hyper Media" - Perspecta forum, Art Gallery of New South Wales, Sydney
"Silent "Bodies In Warhol's Cinema" - Warhol's Early Cinema Retrospective, State Film Theatre, Melbourne
"The Powers Of Horror" - Melbourne Writers' Festival, Melbourne
"PSYCHO, Herrmann & Hitchcock" - Film Composing, Australian, Film TV & Radio School, Sydney
"Close analysis of the sound design in COLORS" - Year Of The Film Composer, Australian Film TV & Radio School, Melbourne

Interviewed
Radio National - Phillip Adams: on Horror & Pornography

Also
*SALT SALIVA SPERM & SWEAT purchased/screened by Channel 4, UK

1990

Music release
THE PRESENT COMPILATION (CD) (contains tracks co-written, performed & mixed for MARIA KOZIC & THE MK-SOUND; Colossus; CUT SLASH KILL; INSTRUMENTLESS; plus tracks mixed for Impact; Ultravibe; Sally)

Writer
"The Architecsonic Object: Stereo Sound, Cinema & COLORS" - Culture, Technology & Creativity In The Late 20th Century, John Libbey Press, London
"Post-Punk Graphics: The Displace Present, Perfectly Placed" - Stuffing No.3, Melbourne

Speaker
"The Body Horrible" - The End Of The World As We Now Know It lecture series, George Paton Gallery, Melbourne
"The Body Horrible" - Alberta College Of Art, Calgary, Canada
"Ingrained In Grain" - Photography & Postmodernism forum, Centre of Contemporary Photography, Melbourne

Also
* SALT SALIVA SPERM & SWEAT tours Canada & Northern USA in the programme Aurora Australis
* SALT SALIVA SPERM & SWEAT screened at Melbourne Cinematheque; Croydon Film Society, Melbourne; R.M.I.T., Melbourne

1989

Director & editor
video clip: SALT SALIVA SPERM & SWEAT (video short independently funded)
video clip: GOD IS DEAD by CUT SLASH KILL (video short independently funded)
video clip: GUIDED MUSCLE TO YOUR HEART by INSTRUMENTLESS (video short independently funded)

Music release
SALT SALIVA SPERM & SWEAT (soundtrack LP)
A FISTFUL OF ROCK by CUT SLASH KILL (mini LP)
THE ABDOMINAL WALL OF NOISE by INSTRUMENTLESS (EP)
For the above 3 releases - writer/co-writer, performer, mix & production

Writer
"Film Narrative / Narrative Film / Music Narrative / Narrative Music" - Cinema Papers No.71, Melbourne
"Comics Aged" - Editions Review No.2, Sydney
"Comics, RAW, Topps, Kids & Dinosaurs" - Art & Text No.33, Sydney, 1989
"The Non-Event Of Sound In Video Art" - Scan Vol.1, Sydney
"International Videos In The 1987 Melbourne International Film Festival" - Filmnews Vol.17 No.7, Sydney
"This Ad's For You" - Stuffing No.2, Melbourne
"The Sound Of Rock (Chapters 1 & 2)" - Stuffing No.2, Melbourne

Editor
Stuffing No.2 (with Ross Harley)

Also
* SALT SALIVA SPERM & SWEAT screened at Collective For Living Cinema, New York; University Of N.S.W.
* SALT SALIVA SPERM & SWEAT released on Domestic home video through Home Cinema Group
* CLUB VIDEO screened in WR090 Sound Basis Visual Art Festival, Wroclaw, Poland
* Video clip of CLUB VIDEO screened in "The Elusive Sign" at the State Film Centre, Melbourne & The Chavel Cinema, Sydney
* Various videos screened on ABC TV (Rage); the Melbourne International Film Festival; the Melbourne Cinematheque

1988

Writer, director, editor & composer
SALT SALIVA SPERM & SWEAT (16mm stereo featurette funded by the AFC)

Director, curator & sound designer
TRASH & JUNK CULTURE (exhibition funded by the AFC) exhibited at The Performance Space, Sydney & The Australian Centre for Contemporary Art, Melbourne

Writer
"The Corpse of Modernism & The Blood of Jackson Pollock" - Art & Australia, Sydney, Spring
"Alphabets" - Stuffed No.1, Melbourne
"Re-Generation: Robert Rooney as Pop" - catalogue essay for the exhibition "From The Homefront - Robert Rooney works 1953-1988", Monash University Gallery, Melbourne
"The Politics Of Poetics & The Poetics Of Politics In Australian Film Culture" - Arena No.82 (with Rod Bishop), Melbourne
"The Body Horrible" - Intervention Nos. 21/22, Sydney
"Sounding & Sampling" - New Music Articles No.6, Melbourne
"RAW POWER - It Is What It Is" - press article for the AuGoGo records re-release of Iggy & The Stooges' RAW POWER LP

Speaker
"The Animation Of Sound" - The Illusion Of Life: 1st International Conference on Animation, University of Sydney
"That's Exploitation - Part 3: Ads" at ICA forum on Cinema & Identity, ICA, London
"Romantic Agony" - panel member, State Film Theatre, Melbourne
"The Animation Of Sound" - paper presented at The Illusion Of Life International Conference on Animation, Power Institute, University of Sydney

Also
* SALT SALIVA SPERM & SWEAT screened at Edinburgh Film Festival; Melbourne Film Festival; Sydney Film Festival; Back Of Beyond - Australian Cinema, UCLA, Los Angeles; Australian Independents, ICA Cinema, London.
* SALT SALIVA SPERM & SWEAT independently distributed by DUMB FILMS & theatrically released in Melbourne (State Film Theatre) and Sydney (Mandolin Cinema) with NO DANCE & THE CELLULOID SELF as support shorts
* SALT SALIVA SPERM & SWEAT nominated Best Sound track (Shorts) - 1988 AFI Film Awards
* SALT SALIVA SPERM & SWEAT wins Best Australian Short - 1988 Melbourne International Film Festival
* SALT SALIVA SPERM & SWEAT purchased by Australia National Gallery, Canberra
* CLUB VIDEO (video clip version) screened on SBS TV